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Nukkad Naatak: Sincerity Seals The Deal

Rating: ***

Writer-director Tanmaya Shekhar’s  maiden  effort at filmmaking  brims  over  with the  righteous  indignation of a dedicated student at his  first job interview. He  must get it right.  He  must make  all the right moves. He  can’t afford to fail.

And he doesn’tTanmaya’s  sincerity  is  moving, in spite of the rough edges  and amateurishness  in the storytelling. Some of  the actors are perceptible novices, and no harm in that.And there are innumerable  episodes in the film when we can see the  writer-director grappling with his vision.

Every individual associated  with this endeavour  is committed  to  making this world a better place.

The  two protagonists of  the film Molshri and Shivang(played  by likeable actors of the same  name) convey a disarming lack of  artifice  in their personality. They reminded  me of  Genelia d’Souza  and Imran Khan in Jaane Tu… Ya Jaane Na: what if  Genelia was a closeted  activist and an incorrigible literacy fanatic,  and what if  Imran was a  closeted homosexual?

That  dual detail apart  Molsri bullies Shivang,a la Genelia and Imran,  gets him to  agree to her  wildest schemes, including  stealing food from the  canteen and educating  children  who don’t want to be  educated.

When their  educational  institution’s  dean (Danish Hussain) grants them a chance to educate a bunch of chawl  childen rather than be rusticated,  Molshri and Shivang grab the opportunity with both  hands.

On  several occasion Nukkad Naatak derails  by dint of its overweening righteousness. Tanmaya Shekhar’s tone of narration  tends  to get didactic and turgid. But his unvarnished  idealsm,often  bordering on naivete, never falters.

There are two predominant  strands  in the  storytelling,one is Molshri’s  streetside activism and  the  other is  Shivang’s  coming-to-terms with his homosexuality. The two  plots move at their own pace. At one point  of  Shivang’s  journey into  self-acceptance  he befriends  a  porn actor on the  internet and asks his financial assistance.  Such leaps  into fantasy don’t disburse the film’s  fathomless funds of  probity.

At a  time when  cinema is all about  blazing guns  and  flaring nostrils, here is a little gem which is all heart and no manipulation.

 

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