Starring: Vijay Deverakonda, Priyanka Jawalkar,Malavika Nair,
Directed by: Rahul Sankrityan
Rating: *** ½ (3 and a half stars)
In his 7-year career Vijay Deverakonda has climbed from strength to strength, to claim his place among the foremost contemporary star-actors of Telugu cinema. One can see a concerted effort in his oeuvre to play diverse characters and to avoid those trademark mannerism that his peers have patented for longevity.
There is durability in fluidity. Vijay proves it once again with his new release. Taxiwaala is a breezy blizzard of easy scares and languorous laughter. This mix was recently a hit in the Hindi film Stree. It is attempted successfully again, bringing to the fused genre a kind of buoyant eeriness that makes ghosts and spririts non-threatening but not glib or over-casual.You may not be frightened by the spirit of the proceedings. But the scares are never scarce.
The pace is maintained all through.
Taxiwaala is all about Deverekonda’s love for his taxi. The two are as romantically involved as Jimi Hendrix and his guitar. There are scenes of spiked hilarity where the actor speaks directly to his car, as though it were a particularly bothersome girlfriend whom he acquired without checking her adhaar card.
I specially liked Deverekonda’s drunken monologue where he gets all mushy over the possessed car(Stephen King would approve of this mongrelized avatar of his machine-manoeuvred thrills) . The plot is a landmine of ersatz spooks and unspecified eeriness. Admittedly,the post-intermission half is less spirited than the the initial portions. But there are some devilish twists and turns all through . These ensure the audiences’ inclusion .
With its utter disregard for anything dark and anything beyond blithe entertainment Taxiwaala is Deverekonda’s lightest brightest breeziest work to date. The actor has himself a blast specially since some of the supporting characters are well-etched. For example the motor-garage help named Hollywood with his western swag , is a hoot.
There is a lengthy chase for a corpse in a morgue that overstays its welcome. Also, a lengthy flashback where Deverekondadisappears for a good 20 minutes,is bound to make his fans restless. But the film preserves a look and feel of massypersuasiveness even when the goings-on get a little too wonky to be accommodated in our range of suspended disbelief.
A serious problem faced by Deverekonda is a heroine crisis. Not one of his releases so far has given him a well-matched co-star. The female romantic lead in Taxiwaala is as dispensable as a speebreaker in Formula 1 racing
This is actually the story of a romance between a man and his car which after acquisition proves to be not quite what he thought it to be. This film holds no surprises. And that’s because it wants us to go with its foretold flow. There is much to recommend in a film where a car comes to freakish life to finish off a doctor guilty of professional misconduct.
Nemesis is just a joyride in this feel-good horror-comedy where Stephen King meets David Dhawan , and they both head to see Stree.