“I want to share an incident with you about Abba.
The last time he ever got out of bed was 14 January 2002 which was his birthday. I had gone down to Mijima (our village in Azamgarh) to meet him.
From early morning I had been sitting waiting for him to finish meeting all the villagers. Finally my father hauled himself out of bed and asked my mother for some money. No one had the guts to ask this very old and frail man where he was going off to with his man-Friday. Forty-five minutes later he came back, all drained out. He looks at me and says, ‘Mere gaon wale tumhara subah se bheja chaatrahen hai na? Main apne chidiya ke liya khaas taur se wohsamoselekar aaya hoon jo ussey bahut pasand hai.’ That was the last time he moved out of bed. When Abba passed away I realized nothing prepares you for the loss of a parent…NOTHING! I was completely devastated. But now years later I feel his spirit envelopes me like the air I breathe. I remember him with celebration. I do not remember him with sorrow….My brother Baba Javed, his poem ‘Ajeeb Aadmi’ on my father…these have helped me heal.
“My mother was a remarkable companion to my father. It was an amazing relationship. I was attracted to Javed because he was exactly like my father. In getting to know Javed I got to know my father. Like Abba, Javed is a feminist. My father had this complete dependence on domestic matters on my mother. Even I’ve to buy all the clothes and shoes for Javed. Likewise the tailor who stitched my father’s kurta-pyjamas never saw his face. Neither Abba nor Javed have seen the kitchen in the house. Nor can they fix anything around the house. But both can do anything if they set their heart on it. Javed fights to win. I fight to play the game…..My brother Baba is an extreme introvert. He shared an extremely deep relationship with my father. Baba’s wife Tanvi, who’s the most talkative person in the world, would run out of the room when Abba and Baba were together. They just shared silences. Baba is now writing a script which he’ll direct. In that script you can see the prodigal son return. Abba was everything to me. I continue with his good work in our village. He was my comrade, I remember when I went on my padyatra from Delhi to Meerut. There was so much tension. But when I went to my father he caught my face in his hands and said, ‘Meri bahadur betijaa rahi hai? Jao tumhein kuch nahin hoga. Sirf kaamyab hokelautogi.’ It was like a gust of oxygen pumped into me. Ours was an open house during Abba. It continues to be so. My reference point and the choices in life will always come from him, his poetry, work, life and courage.”
“My earliest memory of Abba…Of him sitting on a writing table in his kurta-pyjama smoking incessantly and writing till the wee hours of the morning. As a child, I was convinced a poet was a euphemism for someone who didn’t have any work. Daddys were supposed to put on trousers, shirts and ties and go out to work. In fact when people would ask me what my father did I said he was a businessman and quickly changed the topic….Oh , the follies of innocence…My father was a really gorgeous looking man with this beautiful voice. People don’t know this, but he had a tremendous sense of humour. I remember once I was putting eye-drops in his tiny eyes. The drops kept falling all over his face. He told me about this inept prince who was taught archery and who broke everything in the house during practice. Then he said, ‘Put the drops in my ears they’ll go in my eyes.’ He said such lines with a poker face. He always made digs at the strange procedure in our films where tunes came first and lyrics were written into them later. ‘It’s like first digging a grave and then trying to fit a corpse into it. But I constantly keep fitting the corpse into the grave, so everyone thinks I’m a good lyricist’ he said…. You know I took my father for granted, as all children tend to. But as a poet he continues to overwhelm me each day even four years after his death. Whether it was his poem Makaan or Aurat…they’ve been a great source of inspiration. My concern for slum-dwellers started with my father’s poem Makaan which talks of the irony of the construction worker who builds a building with his sweat and blood but isn’t allowed to enter it.”
Shabana pauses and then resumes: “In Hindi cinema, along withSahir, Majrooh, Jaan Nissar Akhtar and Shailendra, my father raised the standards of film lyrics. They were often deceptively conversational–Kuch dil ne kaha…..kuch bhi nahin….As a film lyricist, he was a mixture of simplicity and poeticality. Take these lines Kissi ka na ho jiss pe saaya mujheaisi din aisi raat do/ Mainmanzil to khud dhoond loongi mere haath main zaraa apna haath do/Qadam-do-qadam tum mera saath do….And when Lataji sang these lines by my father….what can be said? You know what was exceptional about my father? He never spoke at home about his work.
“My most favourite Kaifi Azmi lyrics? Hmmmmm… Koi kaise yehbataaye ke wohtanha kyon hai/who jo apna tha who aur kisika kyon hai/yehi duniya hai to phir aisi yeh duniya kyon hai/yehi hota hai toaakhir yehi hota kyon hai?…The simplicity of these lines kills me. Imagine , a spouse-deserted woman (in the film Arth) being faced with these lines!….That sense of commitment which artistes of my father’s generation had, has been missing. But slowly it’s coming back in my film fraternity. I like it when film people come out to involve themselves with social issues. I find it very strange when people say, how could Aamir Khan have taken up an issue without knowing the nitty-gritty of it? Arrey when Gandhiji was thrown off the train in South Africa, he responded emotionally. When I went on a hunger strike twenty years ago on behalf of slum-dwellers, I didn’t know the issues as well as I do today. I come from a background where my parents believe art is an instrument of social change. At a time when my father could’ve reveled in the luxury of his success in the film industry he chose to go back to his village in Azamgarh to work on its development. Imagine a man paralyzed for thirty years making his village into a place of progress single-handedly. One day I asked him if he feels frustrated when change doesn’t happen as speedily as he’d have liked. He told me we must all be prepared for that change to not happen in our lifetime. This to me, is the one mantra that I’ve taken from my father. I don’t look for instant results at all. That’s why I couldn’t be a politician.
Delhi mein bhi hai Kaifi Azmi road DPS school ke saamne. There is aKaifi Azmi road in Mijwan. The Sultanpur Expressway in UP is also called Kaifi Azmi Expressway.
Govt of india has named train from Azamgarh-Delhi KaifiyaatExpress ( the name of his complete works of poetry) in recognition of his stellar work. There r only 2 other writers who have trains named after their work- Gitanjali Express after Rabindranath Tagore’s work,Godaan Express after Premchands work
On 18th Feb 2012 Hyderabad ke mayor ne ailan kiya hai Rd no 3Banjara Hills Kaifi Azmi road, Ramkote Eden Garden UstadBismillah Khan Road, Ramkote Circle Pandit Bhimsen Joshi road. Inauguration will be in third week of March.
“If you ask me who among contemporary lyricists has inherited my father’s legacy I’d say my husband Javed Akhtar. Abba himself used to say this. They both have this amazing vocabulary which if they wanted, they could flaunt generously. Still they both keep their poetry simple. There was never a word in Urdu that my father couldn’t give me the meaning of. I told Amit (Bachchan) this. And he said, ‘My father could do this in both English and Hindi.’ Can you imagine! To this day it’s a big void in my life that I can’t write Urdu, though I can read it. It’s something I have to do. Javed keeps telling me I’ve my father’s restless spirit. But if I’m cleaning a cupboard that’s relaxation for me, though Javed doesn’t agree.

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Pink Director’s Next Featuring Yami As A Crime Reporter To Stream From February 16

Anniruddha Roy Chowdhury whose Pink featuring Amitabh Bachchan and Taapsee Pannu was one of the most important films of 2016, is all set to release his next Hindi film.
Entitled Lost, Anniruddha’s film , based on true events, will see Yami Gautam Dhar(that’s what the actress calls herself after her marriage) as a crime journalist. LOST is an emotional social thriller that represents a higher quest, a search for lost values of empathy and integrity.
Inspired by true events, Lost is a story of a bright young woman crime reporter in her relentless search for the truth behind the sudden disappearance of a young theatre activist.

Lost
Says Aniruddha “The shoot of LOST has been an incredible journey. I have been eager for the release of our hard-worked venture. The film is a realistic highlight of media in a social context and I am sure that it will give the audience a compelling watch. I am curious about its release and see the responses it shall get. I hope they will welcome it with open hearts.”
Yami Gautam Dhar who plays the lead of the crime reporter says, “I can’t be happier and more proud of the film’s selection for the opening night at CSAFF. I feel like its one that the people will connect to and will be the one that you cannot miss, especially in the current age and time. I have loved playing this role because it was such a special experience, it allowed me to explore so many layers of emotions as an actor and the entire team has worked really hard on it. I genuinely cannot wait for the film’s release, especially to see the reactions of the audience to it.”
The crime investigation drama boasts a stellar cast. Along with Yami, the film will feature Pankaj Kapur, Rahul Khanna, and an ensemble of younger talent, including Neil Bhoopalam, Pia Bajpai, and Tushar Pandey, in pivotal roles.
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Jamuna Had A Love-Hate Relationship With Bollywood

Veteran Telugu actress Jamuna who passed away on Friday, shared an uneasy relationship with the Hindi film industry.She did eleven Hindi films including the iconic Milan in 1967 where Jamuna agreed to play the second lead, or the supporting role if you will, to Nutan.
Jamuna as Gauri was the Other Woman who craved for the hero Sunil Dutt’s attention whereas he had eyes and devotion only for Nutan. In later years Aruna Irani played a similar role in Caravan.
In Milan Jamuna was not keen to do a supporting role. Producer L V Prasad tempted her with three chartbusting songs. Besides, Jamuna had played the same role in Mooga Manasulu, the Telugu original of Milan. But it was the songs composed by Laxmikant-Pyarelal which convinced Jamuna to take up the second lead in Milan.
While Nutan had no solo songs in Milan, she did have the chartbuster duet Sawan ka mahina . Jamuna on the other hand, had two splendid Lata Mangeshkar solos: Tohey saawariya naahin khabariya and the magnificent Ghazal Aaj dil pe koi zor chalta nahin.Not only these, Jamuna also had a hit duet with Mukesh based on her character Gauri: Bol Gauri bol tera kaun piya.
But then, fate intervened. After the film released one of Jamuna’s solos, the poignant and memorable Aaj dil pe koi zor chalta nahin was snipped out of the film.
Here is what happened: the Ghazal , one of Lataji’s all-time greats, was very much a part of Milan when it released on 17 March 1967. But then it was seen to hamper the flow of the film and edited out. The beautiful song occurred right after intermission. Producer Prasad, a shrewd filmmaker, got to know that audiences prolonged their loo breaks as there was a song after the break. Hence the sacrifice of a seriously sonorous melody.
Jamuna hardly did Hindi films after Milan. Her last Bollywood appearance was in Raj Kumar Kohli’s Raj Tilak where she was lost in a multistarrer as the royal queen.
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Karan Johar Moves Alia Song From Switzerland To Kashmir

The romantic duet in Karan Johar’s Rocky Aur Rani Ki Prem Kahaani which was to be shot in Switzerland and which was delayed due to the film’s leading lady Alia Bhatt’s motherhood, is now being relocated to Kashmir.
Purely out of the love for new mom Alia.
Says a source in the know, “Karan loves Alia like his own daughter. He would do anything for her. He postponed the release of Rocky Aur Rani Ki Prem Kahani as the love duet could not be shot before Alia’s maternity leave. Karan had decided to shoot the song in Switzerland after Alia’s maternity love. But now he has relocated the song to Kashmir as Alia doesn’t want to leave her baby girl behind for long stretches.”
And as Karan Johar argued, snow is snow. How does it matter whether it is Switzerland or Kashmir?
This song would be Karan Johar’s tribute to his idol Yash Chopra. Alia would be dressed in chiffon sarees while Ranveer, for a change, would be seen in formals.
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Bobby Deol’s Switchover To Villainous Roles

After Prakash Jha’s webseries Ashram where Bobby played a sleazy godman, and Love Hostel where he was a ruthless assassin, he is playing the villain to Ranbir Kapoor in Sandeep Vanga’s Animal.
Bobby says it is not conscious career decision to play negative characters but a conscious decision to play interesting characters. “ I don’t look at characters as positive or negative.When I watch films there is always one character that stays with you. I want to play that character.”
Prakash Jha’s Ashram proved a gamechanger for Bobby. He admits finding challenging roles is tough. “I am trying. I am doing Sandeep Vanga’s Animal with Ranbir Kapoor , Parineeti Chopra. Then I am doing the family film Apne 2 which I am very excited about.”
In an earlier interview with this writer Bobby spoke about his long absence from screen before Prakash Jha’s Ashram. “My fans would ask why I wasn’t being seen on the screen.And I couldn’t tell them it was because I wasn’t getting good roles. But my fans stood by me. They gave me the strength to keep looking for the right roles. Thankfully I found the roles I liked. My new films have given me some new fans. I am thankful I am still here. Yeah , I am in a good space right now.”
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