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For Manto, Rasika Dugal stayed away from make up and prosthetics!

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Rasika Dugal was recently in Cannes for the world premiere of her much awaited project Manto, directed by Nandita Das and starring Nawazuddin Siddiqui in the titular role, based on the life of Indo-Pakistani author, Saddat Hassan Manto in the post independence period.

Rasika plays the the role of Manto’s wife, Safia and the film premiered to a packed audience who lauded the lead pair’s performance. Nandita’s pet project also stars Rajshri Deshpande as celebrated author, Ismat Chugtai and has guest appearance from several actors including Shabana Azmi, Purab Kohli and Chandan Roy Sanyal.

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Rasika, who had to do a great deal of preparation for her role as the noted author’s wife, recently revealed that she did not require any prosthetics or make up to look like Safia. The stylists made sure that the clothes and hair dos from that era would be enough to give viewers an authentic replication of a real life person, in a respectful manner. Interestingly the results of her look are more than uncanny as when compared to images of the real life Safia. All this was managed to be achieved with precision without use of any heavy make up or prosthetics. It’s an usual practice in several real life stories and biopics for makers to resort to the art of make up to make the actors come as close as possible to looking their real people.

Speaking about the process “Srikant and his team did a fabulous job of designing the look of the characters. On most days I shot with no make up. The team just found ways to tweak small things to show a change in the look over the years, since the story of the film is over six years and Manto and Safia go through a lot in those years. They are the tiniest of changes but, in my opinion , make a strong impact and affect the look of the character. And also really helped enhance the performance. We really didn’t use any make up or prosthetics. But the smallest of details were looked into by Nandita”. the Qissa actress revealed.

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Biopics are always a minor but pivotal imitation of real life incidents of a person’s life and it reflects beautifully when directors and actors go to the lengths to justify this imitation.

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Why On  Earth Is Sushmita Sen Smoking A Cigar In Aarya’s First  Look?

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Aarya

Season 3  of Aarya is being shot as  you read this, and naturally Sushmita Sen is  super-kicked about it, so kicked that she has put  out a  video where she is seen  in the  best Lady Boss version of herself.

Alarmingly, she is seen puffing away at a  cigar, to  complete her Badass Lady Boss image.

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 There was a  time when women smoking  cigarettes  in Hindi cinema signaled vampishness. If a female actor was  shown smoking it meant she had evil designs  over the  hero, and life in general.

 Sushmita being Sushmita, a cigarette won’t do. A  cigar it is, to go with her formidable image. The last Bollywood actor I saw smoking a cigar  on screen was Premnath in the 1970s. Back then so  many  people didn’t die of cancer  by smoking.

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 These are  different far more dangerous  and deadly times.

Sushmita is an iconic  actor.She  needs to be more careful about the image  she projects . Smoking  a  cigar doesn’t  enhance a woman’s(or a  man’s) muscle power. Nor does it make her look cool.

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About shooting for the third season of Aarya  Sushmita says, “Aarya is synonymous with my name.  I have lived as Aarya for two whole seasons and the love received by the audiences has only encouraged me to do more. Walking on the sets of Aarya Season 3 makes me feel at home and gives me  a sense of empowerment. I’m grateful to the entire team at Disney+ Hotstar, Ram Madhvani Films and Endemol Shine India for the vision of creating Aarya and taking it to newer heights with every season.”

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Shah Rukh, Deepika, John Will Meet The Media  On Monday At 4 pm(But There’s  A Catch)

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Pathaan

Pathaan has effectually discredited the  efficacy  of media interactions to promote  a  film. The  film’s lead actors Shah Rukh  Khan, Deepika Padukone  and John Abraham did not conduct any  press or portal interviews  to  promote the  film.

And  yet Pathaan  is  a blockbuster.

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 This  weekend  the Pathaan producer Aditya  Chopra  of  Yash Raj Films  took a call on behalf  of  the Pathaan team  to do one media  meet at the Taj Land’s End in Mumbai  on Monday January 30 at 4 pm.

The  three principal actors  and  director Siddharth Malhotra  will address  the  media.

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 But  here’s the catch: the media will not be allowed to ask any questions. There will be no  Q& A s or  one-on-one  interactions.This  basically means that the  Pathaan  team will  have an opportunity to  say what it wants  to the media. But the  media will have no say.

Make what  you will of this  one-way traffic.

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A  source close  to Yash Raj informs  me that this is  the   pattern  regarding the media that  Yash Raj will follow for  future  releases: no  press meets  no promotional  engagements.

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Fake Projects of Pathaan Director Being Planted In Media

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Pathaan

Siddharth Anand Denies Considering  Any Project With  Deepak Mukut

A  word of caution to those marketing and publicity wizkids  who think  it’s okay to  plant fake stories  on (fake) projects  with the Pathaan director.

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 It is  not.

Such baseless announcements  are meant only to  raise  the equity  of the  producers  with whom Siddharth   Anand’s name is  linked. One  such  producer whose name  has cropped up after the  spectacular success of  Pathaan is  Deepak Mukut.

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There were  reports  everywhere that Siddharth Anand’s next would  be with Mukut.

Turned out to be a false rumour.

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A  source in the  know informs, “Siddharth now has to complete Fighter  starring Hrithik Roshan and  Deepika Padukone  for Yash Raj.Then  he  is   committed to direct the sequel to War 2 for  Yash Raj films.  They will then start  work on the  next film in the Pathaan  franchise. There is no scope  or  room for any outside  projects  for Siddharth Anand. So every announcement  that  you read of a  new film  to be  directed by Siddharth Anand  for an  outside  producer is likely to  be  a hundred  percent fake.”

When I asked Siddharth Anand  about the  supposed project  with  producer Deepak Mukut he promptly replied,  “NOT AT ALL.”

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Pink Director’s Next  Featuring Yami As A Crime Reporter To Stream From February 16

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Yami

Anniruddha Roy  Chowdhury whose  Pink  featuring Amitabh Bachchan and Taapsee Pannu was one of  the  most important  films of  2016, is all set to  release his  next  Hindi film.

Entitled LostAnniruddha’s film , based on true  events, will see Yami Gautam Dhar(that’s  what the actress calls herself after her marriage)  as a crime journalist. LOST is an emotional social thriller that represents a higher quest, a search for lost values of empathy and integrity.

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Inspired by true events, Lost is a story of a bright young woman crime reporter in her relentless search for the truth behind the sudden disappearance of a young theatre activist.

Lost

Lost

Says Aniruddha  “The shoot of LOST has been an incredible journey. I have been eager for the release of our hard-worked venture. The film is a realistic highlight of media in a social context and I am sure that it will give the audience a compelling watch. I am curious about its release and see the responses it shall get. I hope they will welcome it with open hearts.”

Yami Gautam Dhar  who plays  the lead  of  the  crime reporter  says,   “I can’t be happier and more proud of the film’s selection for the opening night at CSAFF. I feel like its one that the people will connect to and will be the one that you cannot miss, especially in the current age and time. I have loved playing this role because it was such a special experience, it allowed me to explore so many layers of emotions as an actor and the entire team has worked really hard on it. I genuinely cannot wait for the film’s release, especially to see the reactions of the audience to it.”

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The crime investigation  drama boasts a stellar cast. Along with Yami, the film will feature Pankaj Kapur, Rahul Khanna, and an ensemble of younger talent, including Neil Bhoopalam, Pia Bajpai, and Tushar Pandey, in pivotal roles.

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