Starring: Pulkit Samrat, Yami Gautam
Now get this. Junooniyat is directed by Vivek Agnihotri whose last film was the political backfire Buddha In A Traffic Jam. And this film which could be re-christened ‘Screenplay In A Traffic Jam’ stars Pulkit([tooltip id=”88b6af99531f838ed90aed058b7d870a”][tooltip id=”c1b465420d07c688942ed18eadfd9f92″ keyword_color=”#000000″ background_color=”#ffffff”][tooltip id=”4db8f5608d45f5de7881d9bce162f4bf”]Salman Khan[/tooltip][/tooltip][/tooltip])Samrat with Yami(Vicky Donor) Gautam who were last seen as couple three months ago in Sanam Re.
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Temptation, as they say, comes in many forms.
If you still find the prospect of seeing Junooniyat tempting then go right ahead. You only have yourself to blame for what lies in store. If Mills & Boon were a Bollywood franchise Junooniyat could be the masthead for the sections devoted to morons. The lovelorn tale is one stretched-out he-loves-me-she-loves-me-not yarn-fest based on absurd coincidences that make no sense in this era of instant communication when every misunderstanding between lovers can be cleared with just one click of a phone.
So sample this.The annoyingly screechy and energetic Suhani(Yami Gautam playing a dumbed-down version ofKareena in Jab We Met) loses the love of her life because he, the love of Suhani’s life,is Jahaan an army man. Suhani’s annoyingly ‘Punjabi’ family(think Geet, think Jab We Met) has lost many men to the army, so she can’t marry a jawaan.
Instead of arguing with her family that so many people die in road accidents and it doesn’t mean you don’t marry a man who drives a car, Suhani runs to the love of life and , in a stiffly staged railway-station sequence,says, “Choose between me and the army.”
Jahaan chooses wisely. Some time later she runs back to Kashmir to Jahaan sees him with another woman and presumes he is engaged elsewhere.
Ek baar puch toh liya hota,yaar! But no. This is cinema from the 1990s when communication meant death for the screenplay. Littered with the most ludicrous twists and turns that lead to an absolutely sloppy schmaltzy and predictable finale Junooniyat has got to be the most fatuous romantic saga on this side of Deedar-e-Yaar.
It just makes you grateful for breakups conducted on whatsap.
While Yami Gautam’s bubbly act gets on your nervous, Pulkit Samrat is not bad. His attempts to lend gravitas to a role that’s written with as much fastidiousness as graffiti on toilet wall, is commendable.
Poor Samrat has to struggle against lines like, “Is he a tall army man?”(uttered amidst giggles by poor HrishitaBhatt playing Yami’s cousin-friend) when in fact the actor is not quite Amitabh Bachchan in height.
Thriving purely on corny lines and brainless situations the one bright spot in Junooniyat is Attar Singh Saini’s camerawork which captures the pristine snowpeaks of Kashmir with a care that is not evident in any other component that constitutes this excruciatingly trite and indifferent love story.[tooltip type=”box” html=”Input Your Content Here” box_background_color=”#eeeeee” box_opacity=”0.95″ box_padding=”10″ box_border_color=”#3F3F3F” box_border_width=”1″ box_border_radius=”0″ id=”88b6af99531f838ed90aed058b7d870a” /][tooltip type=”box” html=”Salman Khan Bollywood Actor” box_background_color=”#eeeeee” box_opacity=”0.95″ box_padding=”10″ box_border_color=”#3F3F3F” box_border_width=”1″ box_border_radius=”0″ id=”c1b465420d07c688942ed18eadfd9f92″ /]

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Why On Earth Is Sushmita Sen Smoking A Cigar In Aarya’s First Look?

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Alarmingly, she is seen puffing away at a cigar, to complete her Badass Lady Boss image.
There was a time when women smoking cigarettes in Hindi cinema signaled vampishness. If a female actor was shown smoking it meant she had evil designs over the hero, and life in general.
Sushmita being Sushmita, a cigarette won’t do. A cigar it is, to go with her formidable image. The last Bollywood actor I saw smoking a cigar on screen was Premnath in the 1970s. Back then so many people didn’t die of cancer by smoking.
These are different far more dangerous and deadly times.
Sushmita is an iconic actor.She needs to be more careful about the image she projects . Smoking a cigar doesn’t enhance a woman’s(or a man’s) muscle power. Nor does it make her look cool.
About shooting for the third season of Aarya Sushmita says, “Aarya is synonymous with my name. I have lived as Aarya for two whole seasons and the love received by the audiences has only encouraged me to do more. Walking on the sets of Aarya Season 3 makes me feel at home and gives me a sense of empowerment. I’m grateful to the entire team at Disney+ Hotstar, Ram Madhvani Films and Endemol Shine India for the vision of creating Aarya and taking it to newer heights with every season.”
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Shah Rukh, Deepika, John Will Meet The Media On Monday At 4 pm(But There’s A Catch)

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And yet Pathaan is a blockbuster.
This weekend the Pathaan producer Aditya Chopra of Yash Raj Films took a call on behalf of the Pathaan team to do one media meet at the Taj Land’s End in Mumbai on Monday January 30 at 4 pm.
The three principal actors and director Siddharth Malhotra will address the media.
But here’s the catch: the media will not be allowed to ask any questions. There will be no Q& A s or one-on-one interactions.This basically means that the Pathaan team will have an opportunity to say what it wants to the media. But the media will have no say.
Make what you will of this one-way traffic.
A source close to Yash Raj informs me that this is the pattern regarding the media that Yash Raj will follow for future releases: no press meets no promotional engagements.
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Fake Projects of Pathaan Director Being Planted In Media

Siddharth Anand Denies Considering Any Project With Deepak Mukut
A word of caution to those marketing and publicity wizkids who think it’s okay to plant fake stories on (fake) projects with the Pathaan director.
It is not.
Such baseless announcements are meant only to raise the equity of the producers with whom Siddharth Anand’s name is linked. One such producer whose name has cropped up after the spectacular success of Pathaan is Deepak Mukut.
There were reports everywhere that Siddharth Anand’s next would be with Mukut.
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When I asked Siddharth Anand about the supposed project with producer Deepak Mukut he promptly replied, “NOT AT ALL.”
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Pink Director’s Next Featuring Yami As A Crime Reporter To Stream From February 16

Anniruddha Roy Chowdhury whose Pink featuring Amitabh Bachchan and Taapsee Pannu was one of the most important films of 2016, is all set to release his next Hindi film.
Entitled Lost, Anniruddha’s film , based on true events, will see Yami Gautam Dhar(that’s what the actress calls herself after her marriage) as a crime journalist. LOST is an emotional social thriller that represents a higher quest, a search for lost values of empathy and integrity.
Inspired by true events, Lost is a story of a bright young woman crime reporter in her relentless search for the truth behind the sudden disappearance of a young theatre activist.

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Says Aniruddha “The shoot of LOST has been an incredible journey. I have been eager for the release of our hard-worked venture. The film is a realistic highlight of media in a social context and I am sure that it will give the audience a compelling watch. I am curious about its release and see the responses it shall get. I hope they will welcome it with open hearts.”
Yami Gautam Dhar who plays the lead of the crime reporter says, “I can’t be happier and more proud of the film’s selection for the opening night at CSAFF. I feel like its one that the people will connect to and will be the one that you cannot miss, especially in the current age and time. I have loved playing this role because it was such a special experience, it allowed me to explore so many layers of emotions as an actor and the entire team has worked really hard on it. I genuinely cannot wait for the film’s release, especially to see the reactions of the audience to it.”
The crime investigation drama boasts a stellar cast. Along with Yami, the film will feature Pankaj Kapur, Rahul Khanna, and an ensemble of younger talent, including Neil Bhoopalam, Pia Bajpai, and Tushar Pandey, in pivotal roles.
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