Starring Naga Chaitanya, Samantha Akkineni,Divyansha Kaushik
Directed by Shiva Nirvana
Rating: *** ½(3 and a half stars)
There is a sense of tragic continuity , a resigned acceptance of fate, if you will, in the way the tangle within the love triangle plays itself out in Majili. The Tamil film about losing love and finding faith, is a lengthy and fairly satisfying ode to the human heart and its vagaries.
First off, young Naga Chaitanya struggling to find his true bearings as an actor ,discovers an inner core of strength in playing a deeply flawed character. Naga’s Poorna is a loser. He has failed in love, failed in his career and he would be a big flop as a husband had he not found a woman so patient and determined, she embodies the stoicism of the pati-vrata Sati in a remarkably contemporized avatar.
Samantha’s Sravani almost brings her fatally damaged husband back from the dead.
That the real-life wife and husband play this troubled couple is a stroke of irony that gives Majili its added tinge and texture of intrigue and poignancy.
Both Samantha (already a proven actor of merit) and Naga Chaitanya immerse themselves so deeply into their characters that it almost seems like they are determined to take this screen marriage into places that their own marriage would hopefully never go into.
The brooding intensity and the bleeding anguish of a marriage that’s held together by a thread(sacred or otherwise) comes across with a contemplative resplendence in the plot. The silent moments between the couple, the unspoken recrimination reminded me of Ajay Devgan and Aishwarya Rai Bachchan in Sanjay Leela Bhansali’s Hum Dil De Chuke Sanam and of course Mani Ratnam’s Mouna Ragam.
The film’s centrifugal force lies in the ‘discomfort’ level in the married couple’s life. Director Shiva Nirvana weaves the threads of a fragile marriage of (in)convenience beautifully into the narrative giving the lead pair ample space to build on their relationship.
Interestingly the hero’s ‘past’a feisty freespirited bird named Anshu as played by an impressively confident Divyansha Kaushik provides a lucid background to Poorna’s troubled present.
Seamless in its emotional velocity Majili neatly weaves together the fluctuating fortunes of three messy lives. There is nothing here that we haven’t seen before. But then , who said life is all about constantly finding new experiences?Exploring the inner spaces of the man-woman mythology, Majili hits on a narrative that’s moving and rewarding.