Manto Comes To Vivid Life In Nandita Das’s Film

Let’s not beat around the bush. 2018 is the year of biopics in Bollywood. Barely have we gotten out of the two back-to-back hockey sagas Soorma and Gold when it’s time to relinquish the sportive spirit for a spot of sunshine in the literary world.

First things first. What shines the brightest in the trailer of Manto is the art direction and the cinematography. Swathed in sepia tones and bright rusty colours denoting a time that has clocked the past but not been forgotten in the present, the LOOK of the film is so vivid and nostalgic,  it conveys both regret and urgency.

Female directors, be it Reema Kagti in Gold or now Nandita Das in Manto reflexively gravitate towards the correct colours to convey a past that could well return sometime very soon in the future. Manto’s controversial writing, his vivid description of sexual violence and political turmoil have been discussed and damned for decades. He is relevant to our times even if we have moved on to Chetan Bhagat.

Trending Now: Gold (2018) Movie Review: Go For Gold!

Here is Manto revivified by an actor and a director who get to the centre of Manto’s universe by exploring the ambience that fostered his creative juices while constantly trying to stem its flow.

Related Post

Manto never fought shy of describing bodily fluids and their outflow from one individual to another.  Nandita Das’s film seems to focus on how Manto’s writing and his unorthodox views on love sex intimacy and religion influenced his own life and those around him.

“When we were under British rule we dreamt of freedom. Now when we are free, what do we dream of?” Nawaz as Manto wonders aloud.

There is an element of disenchanted irony in Manto’s personality, so evident in the poetry of  Sahir Ludhianvi and the cinema of Guru Dutt. Nandita Das’s film seems to explore the dark side of Manto’s personality without abandoning the sunshine.

It may be the year of bio-pics. But by love, I want to see how Nawzuddin pulls off two such ideologically opposed personalities as Manto and Thackeray during the same year.

Recommended For You: After Race 3, Salman Khan Takes Firm Hold Of Bharat

Vaibhav Choudhary

Leave a Comment
Leave a Comment
Published by
Vaibhav Choudhary

Recent Posts

Kartik Aaryan’s Bravest  Performance To  Date  In  Bhool Bhulaiyaa 3

For those  enamoured  of  the  first two films in  the   funny-fearsome  franchise,  Bhool Bhulaiyaa 3 is  deliberately… Read More

2nd November 2024

“I could well be Shabana Patil and she Smita Azmi!” Celebrating 69 Years Of Smita Patil

Who discovered Smita Patil for cinema? We  all think it is  Shyam Benegal. But veteran … Read More

18th October 2024

Shreyas Talpade On  Portraying Schizophrenia  In  Zindaginama

The talented Shreyas Talpade admits  that the fact  he went  through  a serious health crisis… Read More

18th October 2024

Raaj Shaandilyaa On Vicky Vidya  Ka Woh Wala Video

Just days before release you had humbug litigation  claiming that your  film was  a copy?… Read More

15th October 2024

Nagarjuna: Exclusive  On The Criminal  Defamation Case Against Telangana Minister Konda Surekha

Nagarjuna:  Exclusive  On The Criminal  Defamation Case Against Telangana Minister Konda Surekha B kha actually… Read More

6th October 2024

It Is  Both My Cross To Bear  & Jewel  To Wear,” Gauri Shinde On 12 Years  Of English Vinglish

It’s been 12 years  of  your English Vinglish, a life-changing experience? Gosh, is it really… Read More

6th October 2024