Starring: Pravin Dabas, Dhruv Bali, Omi Vaidya, Pooja Batra
Written & Directed by: Vijit Sharma
Rating: * ½(one a half stars)
Nothing, absolutely nothing, in the psycho-babble that governs this tragic and cocky homage to Hithcock warrants our serious attention. The characters,played by a bunch of jobless NRI actors in the US and our own Parvin Dabas(who deserves better) look sufficiently solemn as they try to look like a part of great big murder plan,something on the lines of Dial ‘M’ for Murder. Except that the ‘M’ here stands for ‘moronic.’
The plot trying hard to be slick savvy and suspenseful comes apart at the very outset. Our hero Jay Varma(Parvin Dabas) who teaches psychology in the US, is a troubled man with a history of mental disorder including schizophrenia.Who would want to learn about the mind from someone who has lost the plot?
What the script, too clever for its own good,refuses to tell us is that Jay has probably watched Dial M For Murder more times than M FHussain had seen Hum…Aapke Hain Koun. Hence Jay feels the way to get rid of a scornful nagging wife(who sneers so hard we fear her lips may fall off her face) is not divorce but….mmmmm….murder.
He asks a eager student Ronnie (Dhruv Bali) to bump off the nagging wife.
Perfect Murder, anybody?Now Ronnie has his own game plan. So does the friendly shrink Dr Roy(Pooja Batra) who thinks she knows it all.In fact every acts wise. Only the makers of this film seem happy being caught as dumb.
Try this for criminal idiocy. Jay’s unconventional route to spousal nirvana is shared by our troubled hero with his pal Vikram(OmiVaidya, looking so rusty it’s like Chatur’s chamaatkaar has undergone a balaatkar). Anyone in Jai’s place would keep his big secret to himself. But Jay doesn’t mind sharing it with anyone who cares to listen.
Soon(but not soon enough) an Indian detective Shenoy(SnehaRamchander, apparently every other citizen in New Jersey is Indian) shows up at Jay’s doorstep.
“This looks like a case of a missing person,” she says when she finds the wife missing.
Brilliant minds at work here, I must say.
The plot thickens to a gelatinous mass of uneven ingredients culminating in a disproportionate dish of diminishing savouriness. The performances are uniformly hammy. The scrip tries to run so ahead of the audience that it finally collapses of exhaustion .
And the non-Indian cast has to be seen to be believed. Reason enough to give the American Dream a nightmare.

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Why On Earth Is Sushmita Sen Smoking A Cigar In Aarya’s First Look?

Season 3 of Aarya is being shot as you read this, and naturally Sushmita Sen is super-kicked about it, so kicked that she has put out a video where she is seen in the best Lady Boss version of herself.
Alarmingly, she is seen puffing away at a cigar, to complete her Badass Lady Boss image.
There was a time when women smoking cigarettes in Hindi cinema signaled vampishness. If a female actor was shown smoking it meant she had evil designs over the hero, and life in general.
Sushmita being Sushmita, a cigarette won’t do. A cigar it is, to go with her formidable image. The last Bollywood actor I saw smoking a cigar on screen was Premnath in the 1970s. Back then so many people didn’t die of cancer by smoking.
These are different far more dangerous and deadly times.
Sushmita is an iconic actor.She needs to be more careful about the image she projects . Smoking a cigar doesn’t enhance a woman’s(or a man’s) muscle power. Nor does it make her look cool.
About shooting for the third season of Aarya Sushmita says, “Aarya is synonymous with my name. I have lived as Aarya for two whole seasons and the love received by the audiences has only encouraged me to do more. Walking on the sets of Aarya Season 3 makes me feel at home and gives me a sense of empowerment. I’m grateful to the entire team at Disney+ Hotstar, Ram Madhvani Films and Endemol Shine India for the vision of creating Aarya and taking it to newer heights with every season.”
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Shah Rukh, Deepika, John Will Meet The Media On Monday At 4 pm(But There’s A Catch)

Pathaan has effectually discredited the efficacy of media interactions to promote a film. The film’s lead actors Shah Rukh Khan, Deepika Padukone and John Abraham did not conduct any press or portal interviews to promote the film.
And yet Pathaan is a blockbuster.
This weekend the Pathaan producer Aditya Chopra of Yash Raj Films took a call on behalf of the Pathaan team to do one media meet at the Taj Land’s End in Mumbai on Monday January 30 at 4 pm.
The three principal actors and director Siddharth Malhotra will address the media.
But here’s the catch: the media will not be allowed to ask any questions. There will be no Q& A s or one-on-one interactions.This basically means that the Pathaan team will have an opportunity to say what it wants to the media. But the media will have no say.
Make what you will of this one-way traffic.
A source close to Yash Raj informs me that this is the pattern regarding the media that Yash Raj will follow for future releases: no press meets no promotional engagements.
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Fake Projects of Pathaan Director Being Planted In Media

Siddharth Anand Denies Considering Any Project With Deepak Mukut
A word of caution to those marketing and publicity wizkids who think it’s okay to plant fake stories on (fake) projects with the Pathaan director.
It is not.
Such baseless announcements are meant only to raise the equity of the producers with whom Siddharth Anand’s name is linked. One such producer whose name has cropped up after the spectacular success of Pathaan is Deepak Mukut.
There were reports everywhere that Siddharth Anand’s next would be with Mukut.
Turned out to be a false rumour.
A source in the know informs, “Siddharth now has to complete Fighter starring Hrithik Roshan and Deepika Padukone for Yash Raj.Then he is committed to direct the sequel to War 2 for Yash Raj films. They will then start work on the next film in the Pathaan franchise. There is no scope or room for any outside projects for Siddharth Anand. So every announcement that you read of a new film to be directed by Siddharth Anand for an outside producer is likely to be a hundred percent fake.”
When I asked Siddharth Anand about the supposed project with producer Deepak Mukut he promptly replied, “NOT AT ALL.”
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Pink Director’s Next Featuring Yami As A Crime Reporter To Stream From February 16

Anniruddha Roy Chowdhury whose Pink featuring Amitabh Bachchan and Taapsee Pannu was one of the most important films of 2016, is all set to release his next Hindi film.
Entitled Lost, Anniruddha’s film , based on true events, will see Yami Gautam Dhar(that’s what the actress calls herself after her marriage) as a crime journalist. LOST is an emotional social thriller that represents a higher quest, a search for lost values of empathy and integrity.
Inspired by true events, Lost is a story of a bright young woman crime reporter in her relentless search for the truth behind the sudden disappearance of a young theatre activist.

Lost
Says Aniruddha “The shoot of LOST has been an incredible journey. I have been eager for the release of our hard-worked venture. The film is a realistic highlight of media in a social context and I am sure that it will give the audience a compelling watch. I am curious about its release and see the responses it shall get. I hope they will welcome it with open hearts.”
Yami Gautam Dhar who plays the lead of the crime reporter says, “I can’t be happier and more proud of the film’s selection for the opening night at CSAFF. I feel like its one that the people will connect to and will be the one that you cannot miss, especially in the current age and time. I have loved playing this role because it was such a special experience, it allowed me to explore so many layers of emotions as an actor and the entire team has worked really hard on it. I genuinely cannot wait for the film’s release, especially to see the reactions of the audience to it.”
The crime investigation drama boasts a stellar cast. Along with Yami, the film will feature Pankaj Kapur, Rahul Khanna, and an ensemble of younger talent, including Neil Bhoopalam, Pia Bajpai, and Tushar Pandey, in pivotal roles.
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