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His voice was a craggy path to pain and salvation. Raj Kapoor swore by it. But other superstars were just as fond the singer who sang pain into glory.
Tum bin jeevankaisebeeta(Anita): This is my favourite Mukesh melody. So steeped in a aching sense of longing I am reminded of what Tina Turner once trilled, “All you get from love is a love song.” Raj Mehndi Ali Khan’s words are like woundstabs. Laxmikant–Pyarelal adorns the number with painlashed notes.Goosebumps.
Sajanwabairi ha gayehamaar(TeesriKasam): For Raj Kapoor, Mukesh went that exrtra mile down that road of meditative melancholy. Bullock cart or no.TeesriKasam boasts of two other great Mukesh melodies Sajan re jhoothmattbolo and Duniyabanaanewala.But Sajanwarabairi is my favourite. Its rips a hole in the soul each time. Every time. Timeless….
Koi jab tumharahridaytodde (PurabAurPaschim) Kalyanji–Anandji reserved their best songs for Mukesh: Chandsimehbooba(Himalay Ki GodeMein),Deewanonseyehmattpucho(Upkar), Hum chhodchalehainmehfilko(JeeChahtaHai), Chandikideewarnatodi(Vishwas), Waqtkartajowafaa(Dil Ne Pukara), Humneapnasabkuchkhoyapyarterapaaneko(Saraswatichandra), Khushrahoharkhushihaitumhareliye(SuhagRaat)….But my favourite Mukesh number composed by Kalyanji–Anandji is this extraordinarly worded lyric by Indeevar. Manoj Kumar’s preferred ghostvoice was MahendraKapoor. But when it came to something extra-special it was always Mukesh.
Jisgalimeinteraghar no ho balma(Kati Patang): The biggest puzzle of Rajesh Khanna’s career: when KishoreKumar was the Superstar’s chosen voice then why did he opt for Mukesh for this one song in Kati Patang? Even with KishorecooningPyardeewaanahotahai , Yeh sham mastani and Yehjomohabbathai, Mukesh’s sole solo stands out.When asked why, R D Burman had a classic reply. “Because this one , belonged to Mukesh,no matter from which angle you looked at it.”
Mubarak ho sabkosamaayehsuhana(Milan): I tossed between Zindagikhwabhai from JagteRaho and this number from the Laxmikant–PyarelalchartbusterMilan. I finally opted for the latter for two reasons. One, because Mukesh’s voice texture in this haunting song is astounding. The lyrics are about feeling happy. But all we hear is the deepest sorrow embedded in every word. And then…Main to deewanadeewana deewana…. Love drives you nuts. Hadn’t Mukesh warned us before in Yehmeradeewanapanhai in Yehudi?
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