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Pareeskha Proves Adil Hussain Is Our Balraj Sahni



Pareeskha Proves Adil Hussain Is Our Balraj Sahni 12


Starring Adil Hussain,  Priyanka Bose, Shubham Jha, Sanjay Suri

Directed by Prakash Jha

Rating: ****

The heart is completely  in the right place. Pareeksha,director Prakash Jha’s best in years, is a heartwarming unabashed  tearjerker.It reminded me of one my favourite Shabana  Azmi starrers Bhavna (1984) where the  mother of a child goes to  extreme lengths (prostitution) to  educate her son. In Pareeksha  Adil  Hussain as the all-giving father Buchi an honest righteous rickshawpuller  , turns  a thief to  accrue money for his son’s  education in a posh school.

Some of the rickshaw pullers adversities are  clearly excessive  and  the  school’s  stiff upperlipped  board  members are  pure caricatures. Jha wins us  over with the sheer velocity  of the emotions expressed. This is his most emotional films since Mrityudand  and by far the most pure-hearted.

There are  no  ‘bad people’ in  the basti where Buchi’s prodigious child Bulbul(Shubham Jha, earnest, sincere)  is  the star. The film  opens  its arms to the  spirit  of  democratic amity and embraces  the underprivileged  section’s right to education with a disarming ingenuity. 

Some of  the  poor  family’s  travails such  as  Buchi’s  wife(Priyanka Bose)  washing what looks  like brand new utensils and  Buchi  meeting the kindest cop in the world(Sanjay Suri) in  jail are stuff that  oldfashioned melodramas were made of.Pareeksha doesn’t shy away  from overt sentimentality. This,  according to me, is  the  film’s greatest strength.

 Buchi is shown to be unabashedly  emotional  and excessively  flexible in his  moral rectitude  when  it comes to his son’s  future. When Buchi turns  a thief  to pay for his son’s education, we are supposed to flinch. Not at  Buchi’s  desperate transgression but at our creaky  social structure which  fosters such  gross inequality.

 My  favourite  moment  from Jha’s  stirring stimulating syllabus  is  when  Buchi makes his son  sit with the (privileged) boys on his  rickshaw and the father of one of  the boy’s  throws  a terrifying fit. It’s  a  brutally beautiful sequence  which ends with Buchi’s son tactfully offering to walk to school.

 I wish there was  more such  delicate moments to savour  in Pareeksha. Despite  the frequently clunky writing this is  a  film that wins you over with its persuasive emotional integrity. Adil Hussain  lifts the  sagging  portions in  the plot.  The last time I saw a rickshaw  puller  who was so dignified  and upbeat  in his poverty-stricken circumstances was  in Bimal Roy’s Do Bigha Zameen.

Adil  Hussain is  clearly  the Balraj Sahni of this  millennium.

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