The super-reclusive Raakhee Gulzar who did two memorable movies with director Esmayeel Shroff has only words of praise for the director.
“I will talk about him for two reasons. One, because you are asking. Two, because he was an underrated underused director. I am shocked to know he is no more. He was very young when we worked together. How old was he? 62? Is that any age to die?” Raakheedi gets upset.
She recalls happier times. “Both my films with Esmayeel were special, though they may not have been boxoffice successes. I’ve never done films for the boxoffice. Our first film together was Dil Aakhir Dil Hai about the pitfalls of arranged marriages.I played a woman who is abandoned by her husband . She then marries another man but dares to divorce him when she finds out that he loves another woman. It was a very progressive character. Esmayeel was very clear in his head about what he wanted. He had a partner(brother Moin-ud-Din) who wrote his films, another brilliant man.”
There are two other reasons why Raakheedi recalls Dil Aakhir Dil Hai so fondly. “It was the only film in which I got to work with Naseer. What an actor! Also, the music by Khayyam was outstanding. The title song(Raakheedi hums the tune) was sung so beautifully by Lataji. Do you know Lataji sang for me in every film of mine as a leading lady , except maybe one, from my first Jeevan Mrityu. I would like to believe I am the only heroine for whom Lataji sang so many beautiful melodies.”
Lataji sang another lovely song for the ravishing Raakhee Gulzar in Pighalta Aasman, the second film she did with Esmayeel Shroff, “Yes, it was Mujhe aisa mila moti. I remember this film because it was with my favourite co-star Shashi Kapoor. I think I had a more difficult role in Pighalta Aasman than Dil Aakhir Dil Hai. I played a mentally unbalanced woman. It is not easy to show psychological disorders. One can easily go overboard. Esmayeel was there to guide me. Shashi had a special name for Esmayeel: Chimney, because he smoked nonstop. Esmayeel was also very tall.”
There was another reason why Pighalta Aasman was memorable for Rakheedi. “The film’s producer was Shammi Aunty(character actress). She taught me how to shed my inhibitions and laugh out loud. The Britishers left behind so many of their artificial etiquettes, like don’t laugh, don’t eat with your hands, don’t comp on your food. It took me a long time to get over these colonial etiquettes.”
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