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Swara Is Spectacular, Anaarkari Of Aarah Is Simply Stunning: Movie Review

Subhash K . Jha

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Starring: Swara Bhaskar,Sanjai Mishra, Pankaj Tripathi, IshteyakKhan

Written & Directed by: Avinash Das

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Nothing in this unexpected storm-trooper of a film has prepared  you for its high-velocity energy and fervent statement on female sexuality. Without exaggeration Anaarkali Of Aarah (AOA) is the surprise of the season. It is stunning in thought, spellbinding in  plot and  utterly gripping in  the way the story of a small-town dancer-singer’s adventures in lecher-land unfolds.

AOA is many things at the same time.  It is a shimmering sun-soaked mirror of smalltown values wherein every sneeze or fart is noted and evaluated across the communities . And yet the story ofAnaarkali(Swara Bhaskar, spectacular) is also the story ofEverywoman urban or rural.

Lady, you may belong to Aarah or Arizona… there will always be men who feel they’ve the birthright to own your body as and when they wish.

So here’s the simmering provocative scenario. Anaarkali , thesmalltown hottie who makes every guy in town horny, is on stage giving robust voice and body to her raunchy songs—yes, she does dirty dancing for a living and enjoys her job as much as Swara enjoys acting and I enjoy writing—when the town’s prime educational institution’s Vice Chancellor(Sanjai Mishra) decides to take the ‘Vice’ too seriously.

He  jumps on stage to molest the dancer ,as her performing partner (played with poignant panache by Pankaj Tripathi) watches in muted horror.All hell breaks loose thereafter. While the lechs of Aarah seethe in anti-climactic rage, Anaarkali gives them a long rope to hand themselves with.

In one sequence Swara strides  looking crushed into the vice-ridden chancellor’s den …only to make him look ridiculous at the end of it .And at the end her dance of defiance and exposure is so volatile and so deliciously over-the-top  I  found myself jumping out of my seat to congratulate Swara.

No walkover , our Anaarkali she takes on the academic lout with such vigour and strength that you will find yourself cheering and clapping for this female hero of these times of sexual ambivalence when men in positions of power misuse their strength to subjugate women in workplaces.

This is a sublime film about the dignity of labour narrated with a  raunchy rigour that is often appealing at times exasperating.

Swara Bhaskar hits all the right notes in the shrillest of scenes,  bringing out the feisty Bihari woman’s inner strength and an extremely appealing moral grounding even when confronted by the demons of her disreputable profession.  There are scenes where Swarais required to push aside all her inhibitions, even her innate feminine grace to appear predatory in her aggression. To her credit Swarasidesteps sleaziness even when she is required to sing and shake her booty to lyrics that would make Yo Yo Honey Singh blush.

But there is a certain grace and dignity to the double meaning thrown out of the erotic dancer’s pelvis thrusts,  like fire leaping into the sky.Swara dances to these ribald lyrics with such familiarity and trust , you won’t notice the sexuality in her thrust. You will see the thirst and dare I say, the  innocence, the determination to remain an artiste even when pushed so much against the wall that her body is stiffened and stymied by social order where men have the right to ‘own’ women’s physicality.

In this nimbly -written ode to feminine grace a cheesy dancer who probably moonlights as prostitute tells the predatory man where to get off. It kicks where it hurts the most and its does so without the flourish of schisms. It is a terrific premise for a post-feminist film. Writer-Director Avinash Das doesn’t focus on remaining fashionable about women’s empowerment.

After a  point his heroine’s tale has a will of its own. You suspect neither the writer-director nor  the actress playing Anaarkali can control her destiny.They, like us, can only move back and gawk in amazement as this astounding female  hero takes on the empowered goons co-powered by the louts  LaLu Land.

The smell,the feel , the flavor and the emotions of the stiflingly patriarchal small-town is so palpable , you are swept into the vortex of the film’s vibrant vista. Full marks to the film’s cinematographerArvind Kannabiran for making Aarah and Anarkali seem wedded to one another , and of course Rohit Kumar’s authentic folk songs ….they add so much value to the proceedings!….It’s hard to imagine  the film without its true-to-life songs and music, and its compelling and credible  characterizations that impel the  gripping plot into areas of exposition where sexual exploitation is turned inside-out , upside-down.

A dizzying, combative explosive expose of smaltown hooliganism and a spunky girl’s determination  to survive all odds, Anaarkali OfAarah has a memorable gallery of actors giving the goings-on  a sterling push and a bracing vigour with their performances.

I have to single out Sanjai Mishra as the sleazeball academician ,Vijay Kumar as his murky cop in crime,Pankaj Tripathi as Anaarkali’s partner on stage, Mayor More as her callow infatuated utterly devoted lover-boy . Nitin Arora as backalley music baron and last but certainly not the least  Ishteyak Khan as a smalltown man who knows how to respect a woman.

These are not just performances. They are classrooms of impeccable characterizations. But above all there is Sawara Bhaskar giving what history will record as one of the bravest and most important performances by  a female actor in post-modernist Bollywood .

This week , don’t even think about seeing any other film.With this towering achievement around the others don’t stand a ‘ghost’ of a chance.

Gimme  the spunk queen of  Arrah anyday rather than the bhoot of  Phillauri.

 

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The Sadness Of Bollywood Marriages Falling Apart

Subhash K . Jha

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I hate to say  this. But I saw it coming. Film Producer Madhu Mantena a dear friend had been in pain for a while now. A week back he told me he has something important to tell me.

Now comes the announcement that he and his wife of three years Masaba Gupta , are giving  their marriage a break. The announcement came on the social media. This is where lives and relationships are made and unmade these days.Long live the sanctity of  privacy.

Prior to Madhu, it was another friend Arjun Rampal who quit his marriage by “mutual consent”. Arjun told me  he and his wife, married for  20 years, had parted “as friends”.

 This, I find hard to believe.The effort to make  a ruptured amputated marriage look like  a clean split  is plainly an eyewash. Filmland marriages want to look squeaky-clean when  they break up. It’s like  a messy murder. You can’t wash away the  blood  no matter how hard you try.

Hrithik Roshan and his wife go on vacations with their children after their marriage ended.It’s just not real. If they wanted  to go on  family vacations why break the marriage? And if they did decide to mutually break the marriage why  the show of  togetherness with pictures going up on social media even before the  vacation has started?

I am pretty much sure Madhu Mantena won’t go on post-marriage vacations with  Masaba. He isn’t the  media-friendly type and will refrain from indulging in ironic acts of  simulated intimacy in a dead relationship.

I have to admit Madhu  has been singularly unlucky in love. He was in a very  comfortable relationship with actress-author Nandana Sen for nearly eight years.

Madhu,  Nandana and I had dinner together in Mumbai where they just couldn’t keep their eyes and hands off one  another. When that relationship  ended Madhu who always gets  into relationships thinking they are for keeps, was  determined  to find love again. He got into another relationship with an author which ended as suddenly as  it had become.

 Masaba Gupta seemed  to be for keeps. Madhu just couldn’t get  enough of her. Smothering your partner with love could create serious space problems. It did for Madhu’s marriage. He  is now single and not quite ready to mingle. There  is a lot of pain  in the parting.

Madhu never wanted the marriage  to end. But this business of showbusiness saps you.  Only the thickskinned survive. Star-wives who have  successfully managed to forge  a life of their own away from their star-husband’s shadows  have succeeded in keeping their marriages going.  You think they don’t know about their husband’s furtive flings?

 Madhu Mantena’s marriage with Masaba was  a fairytale  to begin with. It soured because they never found a middleground between his targets as  a producer and her goals as a dress designer. Now as  things stand ,  barring one,every one of  the  partners  at the production house Phantom—AnuragKashyap, Vikas Behl and now  Madhua Mantena– has a broken marriage behind him.

If I  was  the fourth partner at Phantom I’d seriously think aboyt breaking away from business before

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With Another Season Of Kaun Banega Crorepati Upon Us Amitabh Bachchan Walks The Talk With Subhash K Jha

Subhash K . Jha

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Amitabh Bachchan Talks With Subhash K Jha About KBC
Amitabh Bachchan Talks With Subhash K Jha About New Season Of KBC

Another season of KBC. It’s been 18 years of you and this amazing event. I still remember that moment when you decided to do it in spite of advice not to. How do you look back on the experience?

Yes, 18 years since the start of KBC and it’s the tenth season, nine of which have been conducted by me, one done by Shah Rukh. Hesitancy and apprehension were prime when it was suggested to me and the fear, of what others felt would be diminishing my 70 MM film projection to a 25-inch TV screen. But circumstances were not very conducive. I never did have a 70 MM film projection ever, irrespective of what the market and Industry may have believed, more so at the juncture when KBC came my way,  I had already begun reading my ’The End’ credits!

What do you mean?

I had no work, no money and a bagful of ill-mannered threatening creditors. Apart from the creativity of venturing into TV, something that I had always kept in the back of my mind years earlier, it was giving me an opportunity to, not entirely, but in a small way indicate to those I owed money, that I was working at it. This effort along with some financial guidance, helped me pay off each and every person. But the experience of KBC was much larger, in more ways than one.
Would you say KBC has given you a chance to know people from every walk of life, better than you did before KBC?

Yes, I’d agree with that.

Do you remember your most memorable interactions on KBC?

Oh, each and every interaction on KBC has been, not just memorable, but a learning of a lifetime. Who we are as a country, as Indians, what is it that human bearings contend with.. what motivates them, what extenuating circumstances humanity battles with each day. The varied emotions that each of us carries. What life does the rest of the country live, as opposed to us, who live cocooned lives. There have been alarming and disturbing stories of social and moral struggles, of the strengths and weaknesses, we tend to overlook in others. And in conclusion, what an incredible India we have that resides within each of our 1.2 billion souls!

The show will obviously take up a lot of your time, are you going to cut down on your film shooting for now?

NO film projects and KBC shall go side by side.

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So tell us about your film assignments in some detail, if possible.

I have just completed my work in a Sujoy Ghosh directed film called BADLA, starring Taapsee Pannu, Amrita Singh, and some exciting newcomers. Then there is Thugs Of Hindostan of which already there is much news, releasing on Diwali. Nagraj Manjule who made the Marathi blockbuster Sairat is doing one with me called JHUND and that should start soon after KBC ends by November. I am also with Karan Johar’s Dharma Production in BRAHMASTRA with Ayaan Mukerjee directing the lead superstars, Ranbir and Alia. There is ANKHEN 2 with Anees Bazmi and a host of very desirable colleagues. I shall be doing a film with Rumi Jafri, and a film as a gesture to help a member of my staff. There are also several other concepts being worked on, but more of that later…

How is the experience of working with Aamir Khan in Thugs Of Hindostan? A lot is being discussed about your look in the film. How was the look decided? I know you hate false beards, etc. What made you agree to the elaborate facials

Working with Aamir has been delightful. We are together for the first time. He is an actor, producer, director, assistant director, writer, distributor, exhibitor, marketer, publicist, hair makeup and costume designer, and proficient in many other hidden aspects of filmmaking that exist. And so one waits for a few gems from these multifarious attributes, during our work days, to come flying our way as a learning experience. As for The LOOK has been the work of some very talented design and concept ladies. And the hair all over my face remains an irksome sticky issue.

You’ve just done a guest appearance on Ela Helicopter? What was it like shooting with Kajol after so many years?

Kajol was not with me in that ‘blink and you miss’ presence!

Finally, Amitji, a great deal is expected from someone as influential as you whenever a crisis occurs in the country. Do you think these expectations are justified and are they difficult to live up to?

I think the content of my Blog has addressed some of these issues. But to answer your query you may first have to answer one yourself. Or perhaps face an interjection from me. Your observation ‘from someone as influential as you’ is directed in a manner which you and the reader shall have understood in a way I do not agree with. I shall accept to be an ‘influential’ person if what I proclaim in my campaigns for Polio, TB, Hep B, Swachch Bharat, Beti Bachao, and the several other campaigns that bring notice to moral and social malaise and integrity, is accepted and brings positive results. Any other kind of ‘influence’ that you or any other may imagine, is an imagination, a mirage, a delusion, a self-deception! An influence in your mention… I am none such!

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But there very high social expectations, admittedly unfair, from you?

Having said that, I shall accept, that being in the terrain we traverse, it is to be expected. How one contends with it is a personal decision. My individual thinking may not be in line with the general strain of thought, or vice versa, and I as a free individual in a free country shall have the right to keep it or express it, for public consumption. In today’s world of immediate and rapid communication consumption, what you say or not say, shall always have comment, discourse, and debate, which at times can and will become vile, vicious and at most times intolerable. It shall always be my decision to assess whether the motive of such deliberation has been achieved, or is mere attention seeking stratagem.

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26-Year Old Hyderabadi Filmmaker Is The Latest Worldwide Sensation

Subhash K . Jha

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Just when we  thought  it couldn’t get any  better for Asians in  Hollywood  after the  fluke tempestuous  (and  not entirely deserved, I might add) success  of the seasons’s  big blockbuster  Rich Crazy Asians  the film that features  only actors of Asian  origin , yet another Asian filmmaker has taken the global boxoffice  by storm.

And this time,  we Indians have a  lot to be proud of. While  Crazy Rich Asians doesn’t even have  a token Indian representation in  its cast  or crew(I did catch a Sardarji valet in a hotel driveway shot)  Searching, the  new   thriller released  just a week after  the hysterically  applauded  Crazy Rich Asians, is again giving  Asians a  renewed and exceptional  identity in world cinema.

And this one is  directed by the Indo-American  filmmaker Aneesh Chaganty whose  roots are in  Hyderabad.  Chaganty worked for a couple of years  with Google before  gravtitating  full-time to filmmaking.

His stunning directorial  debut  Searching is set in the cyber universe where a distraught father attempts to locate his  missing daughter.

Interestingly Chaganty,  who  grew up on a staple diet of Bollywood and  Hollywood films,pitched Searching to the studios  as a 8-minute short  film. It was the producers who suggested that Chaganty  turn the  short film into a full-length  feature film. The  director initially declined the offer arguing that he  didn’t want  to stretch a  good idea beyond a point.

However  Aneesh  Chaganty  did finally make Searching as a feature film.Released  on August 24  the   film, made  on a shoestrong budget with  Korean star John Cho in the lead,  has already established  Chaganty as  a filmmaker to reckon with. The ultimate compliment for this small-budgeted  blockbuster came from the Crazy Rich Asians crew when they booked an entire theatre  to watch Chaganty’s film.

 The  young filmmaker names Manoj Night Shyamalan  as his main influence. No doubt Chaganty’s  thriller-noire approach to  cinema makes  him  the new ‘Night’  among Indo-American filmmakers. I fervently hope Chaganty’s career doesn’t follow Shyamalan’s trajectory.

There was a time after The Sixth Sense when  Manoj Shayamalan who likes to be called ‘Night’ was seen as the brightest filmmakers from India in Hollywood.And then it all fell apart, film by film.Unbreakable that followed The Sixth Sense was  received fairly. But soon after,Manoj rapidly declined into the night with Signs(2002), The Village(2004), The Lady In Water(2006) , The happening(2008) and worst of all the 3D abomination The Air Bender which apart from other atrocities, also revealed Dev ‘Slumdog’ Patel to be an extremely inept actor.To be honest one thought The Air Bender  to be a kind of closure on Mr Shyamalam’s career as spook merchant.We thought it couldn’t get any worse.

But it  did.

In how many more ways could Shyamalan  tell the same Sixth Sense story over and over again? The eerie has become progressively dreary in Shayamalan’s oeuvre.

I remember just before the release of The Happening(not happening at all)  I asked Shyamalan why his career lost momentum after The Sixth Sense.

Protesting loudly the filmmaker said, “I hear this a lot in India. It feels like everyone is five years behind. You can’t judge my career by the box office alone.”

Agreed, but I do hope Aneesh Chaganty remembers that being the new Shyamalan doesn’t mean that you turn blind  to reality. Night can  never be  described as day.

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टेलीविजन पर छाई हॉट एंड सेक्सी हसीना… मौनी रॉय इस लिस्ट में सबसे पहला नाम है मौनी रॉय का. मौनी...

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Listicals1 year ago

Bollywood Actors who gave up their lucrative jobs for film career

It is rare to find actors and actresses who give as much of an importance to education as to their...

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WOW! 10 Bollywood actors who can even become sports personalities!

Bollywood industry comprises of talents that stretch beyond acting and dancing. Many of our actors and actresses are trained in...

Listicals1 year ago

Accept It! Amir Khan’s ‘Pehla Nasha’ makes you remember your first love!!!!

Old is gold’ comes in here. Let’s go back to those beautiful days of 90s when love meant sending letters,...

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Unknown Facts1 year ago

Some backstage secrets of Amitabh Bachchan’s KBC will surprise you !

KBC next session is round the corner, have you ever wondered that what happens at the backstage of Kaun Banega...

Listicals1 year ago

Nonsense THINGS!!! Bollywood Films tell the world about India!

Everyone knows that Bollywood tends to exaggerate every little thing on-screen. But while the Indians can sit and scorn the...

Listicals1 year ago

12 Reason Why Foreigners Consider Bollywood Stupid!!!

I know some die-hard Bollywood fans are going to hate me for this. But let’s accept it. Most of today’s...

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Unknown Facts1 year ago

What To  Expect In  Baahubali 2. Revealing Facts That Are So Far Unknown

The pressure to deliver more of everything—drama, spectacle, razzdazzle and mystery—in the second segment of Baahubali, entitled Baahubali 2 The Conclusion, shows in the trailer...

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Unknown Facts1 year ago

10 Unknown Facts About Prabhudheva

  Those lightening moves that gallop along the grooves are self-made. The only teacher Prabhuhas ever known is his father choreographer Mugur Sunder...

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Unknown Facts2 years ago

Baahubali 2: Revealing Facts That Are So Far Unknown

What To  Expect In  Baahubali 2.  The pressure to deliver more of everything—drama, spectacle,razzdazzle and mystery—in the second segment of...

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90% 0f People Don’t Know These Facts About  Deepika Padukone

She was to be cast a member of a rock band.That film never got made. 4. She was meant to...

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Unknown Facts2 years ago

10 Facts You’d Want To Know About Harshvardhan Kapoor

Meet the newest star-kid in town. Anil Kapoor’s son Harshvardhan Kapoor is as intense and passionate about his work as his father, and a lot...

Hema Malini Takes An Auto After Atalji’s Cremation Hema Malini Takes An Auto After Atalji’s Cremation
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7 Unknown Facts About Birthday Girl Hema Malini Who Turns 68 On October 16

1.     She is by far the most successful female actor of Indian cinema with a hit ratio that makes the...

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Why Akshay Kumar Is a ‘Chupa’ Rustom, 7 Unknown Facts About Akshay Kumar

Rustom is Akshay Kumar’s fastest-earning blockbuster. It has almost  touched the magical 100-crore mark in a week. Of course the...

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