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The Enrapturing World Of Sanjay Bhansali Gets A Twist

Bhansali's Heeramandi

The eight  episodes  of Sanjay Leela Bhansali’s  Heeramandi which will start  streaming sometime  in April-May 2024, have turned out so well that Netflix has decided to stream one episode per week

 “The  beauty and artistry  of every episode is  a selfcontained  movie  experience.They want the  audience  to  experience the nuances of every episode one at a time,” informs  a  source.

The first look of  Sanjay Leela Bhansali’s  Heeramandi  does exactly what it is intended to: it opens up  a feast of  visual opulence punctuated by an immaculate background score although the  spectacular show goes on for a just  a bit more than  a minute.

It seems  like  a lot more. Bhansali packs in so much in that minute. There is laughter  and gun shots(sometimes together),  the rustle of  swirling ghagras and  rustling duppattas. There are  lots of gorgeous  women: gorgeous not necessarily because  God made them that way, but because Bhansali, the celluloid God wills them to be so.

 I counted Sonakshi Sinha, Aditya Rao Hydari, Manisha Koirala, Sanjeeda Sheikh, Sharmin Saigal, Richa Chadha(her sartorial definition is  way out of league from the  typical classical courtesan)……

Each one is costumed  distinctly. The clothes  most definitely maketh these women. Their styling is the key to their character  portrait.They are what they wear, and never mind the tear.

Bhansali’s  style is imprinted on every frame.Earlier he  was supposed to  direct only one episode(the  first).  But   now it is  Bhansali all the way.  The  costumes,the haveli,  the  adaas and  nazzaakat ,  all reek of a deep dunk into  the most fragrant ponds of nostalgia.

It is  reliably learnt that Netflix plans to release  one episode at  a time whenever the streaming starts(in April  or May).

 I agree with this decision. Heeramandi is  not  a series  for  binge watching. It is  a rare precious treat for the  eyes  and the soul, to be ingested sparingly.

Every episode is   like  an  independent  Sanjay Leela Bhansali film. The sprawling  plot coheres  in its  entirety in a magical merger of mythology and erotica.

Why,  you may wonder,  are the courtesans(don’t you dare call them whores!) so happy with their lives even when they have no reason to be? These resplendent ladies do not belong to the world of Pakeezah or Umrao Jaan. They are something else. They are so  feisty they redefine the  boundaries  of seductive harmony .

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