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Tu Meri Poori Kahani, A  Sweet Tender Touching Tribute To That Thing Called Love

Tu Meri Poori Kahani

Rating: ***

Debutante director Suhrita Das’ Tu  Meri Poori  Kahani,in spite  of  its flaws, is  that precious little  baby  that  you  want  to cuddle close  to  your  chest  and  protect it from the dushman zamana. It is a  petal-soft  tale of an ambitious girl from a broken home(this is  where Mahesh  Bhatt the  film’s creator and co-writer comes in)  who  kicks the ladder  on the way up, and then  kicks herself from being such an ingrate.

 The  little film with a  big heart is  not  afraid  to show its  heroine Anika(Hiranya Ojha) with all  her  flaws. Anika is selfish, brutally so, and hooked  to booze even in her  moments  of  triumph.  Worse, she  lets go of  the man who  nurtures her into fame.

I found  Arhaan Patel’s  selfless Rohan a little  too noble to be real. But then there are people who just give  and  give , as there  are people who just take and take. This is how the  law of the universe balances  itself out.

Though the idealization of  love  and the  reverse emotions, is  a little  naïve  and  wet behind the ears(hero happy singing in subways, heroine facing two of the most lecherous casting couchers ever  witnessed on screen, the villain behaving as though he  is about to  burst  all his blood vessels) the  film has many tender and heartwarming moments  between the lead pair, especially  in the  first-half when  Rohan takes  the  boozed Anika home(poodle  logic) .

 Their  domestic togetherness  with  Rohan’s dementia-ridden father(Uday Chandra, heartbreaking) are the highlights of the nubile narrative.

 Add Anu Malik’s sweet  if not pathbreaking  tunes which carpet  the  film , wail to wail,  like Aashiqui , and we have  a film that deserves  a  voice and a face at a time when shrieking action films  are  flooding the theatres.

 Since  the  director is  Mahesh Bhatt’s protegee his influence  pervades  the plot : that entire  single-mother, absentee father and illegitimate offspring is Zakhm revisited, except that Nagarjuna  in  that film  was the filmmaker  with two homes. Here it is  Tigmanshu Dhulia who  comes up with a well-meaning but over-studied  performance.

 It is  a pleasure to see  Juhi Babbar as the  wife and mother torn between her man and  daughter Anika. She has one big sequence when she  ticks off  Anika , and Juhi kills  it.  Why not  more of  her? I loved the  way the film brings  back forgotten  actors: Uday Chandra, Avtar Gill, Juhi Babbar.

 As for  the  lead pair,Hiranya Ojha and Arhaan Patel do well enough, although the  girl gives  herself away while  expressing  some of the  more complex emotions. Shammi Duhan(who looks like Chandan Roy Sanyal) as the  psychotic villain is  way over-the-top , and disrupts  the even tone  of narration.

For all its flaws, I came away from Tu Meri Poori Kahani with  a smile. That rarely happens these days.

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