Actor-activist Sonu Sood is unfazed by trolls who are questioning his commitment to providing a helping hand…
His cinema captures the very essence of life in its most pure and sublime form, rendering his characters so emotionally vulnerable that you fear they would come apart. But they never did. It is their inner resilience that makes them so memorable. Here are the actors who gave their career-best performances in Bimal Roy’s cinema.
BalrajSahni in Do BighaZameen(1953): As the emaciated rickshaw puller BalrajSahni actually plied the rickshaw on the streets of Kolkata, unrecognizable in his dirty dhoti and unkempt appearance. When Om Puri played a rickshawallah in Roland Joffe’s The City Of Joy he modelled his performance on Sahni’s method acting.Some think Sahni was greater in M S Sathyu’s GarmHawa. I think the performance in Do BighaZameen is incomparable.
KaminiKaushal in BirajBahu(1954): After the amgic he created with MeenaKumari in Parineeta and every heroine of the 1950s hankered to work with Bimal Roy. It was as if working with him gave their career the indelibile stamp of excellence. In this powerful adaptation of Saratchandra’s novel about the wife of a goodnatured but weak man taking charge of his life, KaminiKaushal scaled heights she never imagined she could .Kaminiji later confessed she was surprised by her performance as too by Bimalada’s decision to sign her. Madhubala was the first choice for this luminous literary adaptation. But she was too expensive.
DilipKumar in Devdas(1955): Bimal Roy had several options in mind for Paro and Chandramukhi. But for Devdas it was DilipKumar, and only DilipKumar. A stickler for perfection, Bimalda would have dropped the project if the Thespian had said no to Devdas. Sure, this actor par excellence gave powerful performances in a slew of films. But for me it’s Devdas all the way.
Nutan in Bandini(1963): After their triumphant togetherness in Sujata, Bimal Roy and Nutan were destined to come together for this, the director’s finest film ever . But Nutan had gotten married and decided to quit films. Apparently it was her husband who persuaded her to return.We shall remain eternally indebted to him. To imagine Bandini without Nutan is to imagine Agra without the TajMahal.Or Parakh without Sadhana. But that’s another story.
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