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After Love, Pakistani’s Director’s Stunning Debut
After Love(Available On Mubi)
Starring Joanna Scanlan, Nathalie Richard, Talid Ariss
Written & Directed by Aleem Khan
Rating: ****
Not many have seen Aleem Khan’s 2020 film After Love. If the truth be told no genuine cineaste should miss this moving exploration of bereavement, grief and acceptance told in a style that is at once unique and familiar.While providing the comfort of the familiar by putting his characters in situations that are at once real and dramatic, Khan floats into an excruciating excursion into fantasy-fiction that is not only hard to pin down , but near-impossible to achieve for any director except the one who isn’t afraid to venture into the unknown with the familiar known tools of cinematic expression.
I was gripped and crushed from Frame 1. The film opens with a 60-plus couple entering their cosy well-appointed functional home in Dover after an evening walk. From their demeanour it is apparent that this is a routine the couple has followed for years. He heads for the living room where he switches on a Hindi song. The sound of Lata Mangeshkar and Mukesh singing Kabhi kabhi mere dil mein khayaal aata hai wafts into the kitchen where the wife –she is Mary Hussain, a Britisher converted to Islam after marriage to her Pakistani husband—makes tea.
Mary heads to the livingroom with the tray, conversing comfortably with her husband. He doesn’t answer.Ahmed, her husband,is dead.
But wait. This is not just a film about sudden unforeseen bereavement. As Mary’s world comes crumbling down she discovers that her husband had another life in another town with another woman in Calais, France.
Secrets are revealed not to shock but as a resigned sigh at life’s unexpected blows that are rained on the individual when she is least prepared for them. Rather than wallow in just the tragedy of bereavement Aleem Khan’s screenplay is constantly on the prowl, ferreting out dimensions to the conundrum of marriage , commitment, cultural fragmentation and emotional conflict ,with an unnerving calmness.
Set in the small soporific British seaside town of Dover, the splashing waves serve as a melancholic metaphor for Mary’s inexpressible grief (she listens to her husband’s voicemail messages to calm her surging grief) as she travels to France to meet her husband’s other life, other family.
What happens next between the two women, the soutans(there is no word for it in English) in the deceased Ahmed’s life, is not just profoundly moving but also constantly surprising.Ahmed’s French mistress Genevieve(Nathalie Richard, no coincidence that she is reed-thin) has a 14-year old son Solomon(Talid Ariss) who is ridden with problems of a missing father and his burgeoning sexuality.A beautiful bond of empathy grows between Mary and her soutan’s son.
None of this seems forced into the narrative. The emotional conflict is so fluent and vivid , it seems like a typical South Indian masala-dosa film about two warring women sharing the same man(ref: Maang Bharo Sajna, Raaste Pyar Ke, Nazrana) played out as a Greek tragedy
Standing tall and supremely dignified at the centre of this muted masterpiece is the little-known British actress Joanna Scanlan in her first major role. Overweight and overwrought with emotions Ms Scanlan’s portrayal of Mary Hussain’s grief is devastating in its dignity. Her eyes reflect a pain that only the camera can explain. Joanna Scanlan, as a woman torn between her dead husband’s Islamic faith and the uncertain future bequeathed to her by his unscheduled death, holds this delicately constructed drama together.
Like Mary Hussain suddenly left bereft, I wonder what this film would be like without Joanna Scanlan.
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Aamir Khan’s Sister Plays Shah Rukh’s Mother In Pathaan

Ever since Pathaan released on Wednesday, audiences have been curious to know who is the woman who plays Shah Rukh Khan’s adoptive mother in Afghanistan. The stately lady with royal looks is none other than the late producer Tahir Hussain’s daughter and Aamir Khan’s elder sister Nikhat Khan.
Nikhat has been closely associated with the film industry and has helped her father in the production of his films like Dulha Bikta Hai and Tum Mere Ho.
Nikhat has acted earlier in the Akshay Kumar starrer Mission Mangal , Ajay Devgan’s Tanhaji and in Sandh Ki Aankh(as a Maharani).
For Pathaan, it was Shah Rukh Khan who suggested Nikhat Khan should play his foster-mother in Afghanistan who names him ‘Pathaan’. It proved to be an inspired piece of casting, as audience have loved Nikhat Khan’s cameo.
It is heartwarming that all three Khan superstars are associated with Pathaan in one way or the other.
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Anurag Kashyap’s New Film Is About Love Jihad

Love Jihad, whatever that means, is the theme of Anurag Kashyap’s new film Almost Pyaar With D J Mohabbat.
Debutant Karan Mehta plays a Muslim boy in an intense relationship with Alaya F who plays a Hindu girl.Kashyap has spared the audience none of the ugliness that such a relationship generates among social-media bouncers, the self-styled guardian of morality .
In the hardhitting powerful and pertinent film a bigot is heard commenting snidely, “These people first talk about Mohabbat. Then they talk about Mohammed.”
Happily and surprisingly, the Central Board Of Film Certification gave the film a ‘UA’ certificate with no cuts: a rare non-‘A’ film of Kashyap.
So far Kashyap and his team have kept the Love Jihad part of the plot out of all media interaction.
But the cat is now out of the bag.
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Samantha Ruth Prabhu to Star Alongside Varun Dhawan in Prime Video’s Indian Original Series , Samantha Speaks

Samantha Ruth Prabhu will be starring alongside Varun Dhawan in the Indian installment of the Citadel universe, the global-event series from Prime Video and the Russo Brothers’ AGBO. The untitled Citadel series based out of India is being helmed by renowned creator duo Raj & DK (Raj Nidimoru and Krishna DK), who are the showrunners and directors.
The local installment is written by Sita R. Menon, along with Raj & DK. The streaming service also confirmed that the production is currently underway in Mumbai. After this, the unit will head to North India and then onwards to international locales like Serbia and South Africa.
Richard Madden (Bodyguard) and Priyanka Chopra Jonas will star in the first-to-launch series within the Citadel universe, which comes from the Russo Brothers’ AGBO along with David Weil (Hunters) and is set to premiere in 2023. Alongside Madden and Chopra Jonas, the first-to-launch Citadel series will also feature Stanley Tucci (The Hunger Games saga). Additional local-language Citadel productions are also in the works, including an Italian Original series starring Matilda De Angelis (The Undoing).
Speaking on her participation in The Citadel franchise for the first time,Samantha says, “When Prime Video and Raj & DK approached me with this project, I decided to take it up in a heartbeat! After working with this team on The Family Man, it is homecoming for me.The Citadel universe, the interconnected storylines between the productions across the globe, and most importantly, the script of the Indian installment really excited me.”
Samantha says she is looking forward to working with Varun Dhawan . “I am thrilled to be a part of this brilliant universe conceptualised by the Russo Brothers. I am also looking forward to be working with Varun for the first time, on this project. He is someone who is full of life and cheer when you’re around him.”
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Bollywood’s Achche Din Have Come

All you doomsday prophets, the booms-day profits are here. Pathaan has opened the floodgates again for Bollywood’s bumper bonanza at the boxoffice.And now there is only the achche din ahead for Hindi cinema.
In the next two months there are three sureshot blockbusters coming up, beginning with Shehzada. An astute devilishly impish adaptation of Allu Arjun’s 2020 Telugu blockbuster Ala Vaikunthapurramuloo.The super-popular Kartik Aaryan gives his own spin to the character. This performance will take Kartik to the next level of stardom. Kartik’s version of Ala Vaikunthapurramuloo is radically different from its Telugu version. Shehzada takes the core idea of the Telugu original and turns it into a something completely different. Kartik’s co-star in Shehzada is Kriti Sanon with whom he earlier shared superhit space in Lukka Chuppi.
Then there is Luv Ranjan’s ravishing rom-com Tu Jhoothi Main Makkaar. The director’s male viewpoint on the chaos of love relationships crests to a comic high in his latest. Ranjan for the first time, collaborates with Ranbir Kapoor for the first time collaborates with Shraddha Kapoor who badly needs a hit.This film should do the trick. The winsome lead pair tries to do one another in a game of Luv This is Luv Ranjan’s Hum…Aapke Hain Con. Ranjan has in the past used the romcom space to entertain his audience to the hilt, he says this time the stakes are different. It is not something we’ve seen before.
Finally it is Rocky Aur Rani Ki Prem Kahani. Karan Johar’s first directorial in six years(not counting the one segment each in Ghost Stories and Lust Stories). This time he has assembled a dream star-cast of Dharmendra, Jaya Bachchan, Shabana Azmi, Ranveer Singh and the boxoffice darling(s) Alia Bhatt. But trust me, this one is not about assembling stars into a complacent plot. The writing in this zany Romeo & Juliet is so crisp and engrossing, the experience is likely to be the visual version of a multi-flavour icrecream cone. Colour, choler and karma collide in this tragic-comic love story . Let the box office dhamaka begin from the house of Dharma.
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