Roshan Mathew’s rise in the last five years has been swift and surefooted. With diverse powerful characters and performances in Viswasapoorvam Mansoor, Mothoon, Kappela, C U Soon and Annum Pennum, Roshan is rapidly acquiring the reputation of the most promising actor of the post-Faasil generation.
You have been working right through the Covid Crisis.What’s it been like to be out there ?
I’m very thankful I got to do a bit of work in between everything that’s been happening. It was much needed, and in more ways than one it’s what has kept me going. The experience of working since the onset of Covid has been strange for sure, but mostly only until you start shoot. Especially when it’s a bio-bubble shoot, which is how work has been happening, once you get used to the new protocols and ways of functioning, it’s actually a pleasant bubble of safety to be in and work out of. It’s definitely the best we can wish for in a time like this, when there are much bigger problems out there than just long periods of no work .
You had three releases in 2020 and two already in 2021 and four more coming up . Isn’t that a lot of work? Tell me how this crowd of releases happened?
I was fortunate to get to do a good amount of work in 2019. Most of that is what release in ’20, apart from C U Soon which was completely made during the lockdown. And once work resumed toward the end of last year, there were a handful of projects that were already waiting to go on the floor. I’m very excited about the people I’m collaborating with and I hope what comes out is exciting too!
Many including me believe the best films in India are being made in Kerala.Do you agree? how do we explain the qualitative excellence of Malayalam cinema, the sheer intellectual heft of films like Mothoon, Joji and C U Soon?
I happened to be part of a discussion early today with some of the best minds in Malayalam cinema and it was very insightful, listening to them talk about their views on this industry. From what they’ve said, and from what I’ve seen around me, I think the freedom that filmmakers enjoy here, an audience that holds the industry to high standards while being open and receptive, and the lack of fixed moulds that people try and fit into are maybe some of the reasons.
You are already being perceived as the next brilliant actor from Kerala after Fawadh Faasil and Dulquer Salman.How do you respond to these encomiums? Do they put the burden of over expectation on you?
I’m unaware of this, and I’m glad. These are all huge shoes to fill, and they’re big inspirations. Working with Fahadh Faasil made me admire him even more than I did earlier. But as much as I do, I think it’s also very important to not try and follow what they’ve done. There’s no pre-cleared route you can take in this field of work, you have to make your own. And I’ve been trying to not consciously try to get anywhere. Let’s see how this goes and where I end up.
You made your brilliant Hindi debut in Choked.Now you have Darlings..tell me about it.How important is it for you to reach out to a pan India audience?
I’ve never seen strict boundaries in what we do. Stories are universal, and any language I know or character I can convincingly portray is an opportunity, immaterial of which industry it’s in. It’s great to reach out to a wider audience, but what is even more fun is to collaborate with as many different people who excite you as possible, from as many different contexts.
Tell me about your plans and projects in the coming months
Once the situation is better, and we’re all in a safer and saner place there are a few interesting projects waiting to start. There’s hardly any clarity on what will begin when, so I I’ll just stick to saying this. Upcoming releases are Kuruthi and Chaturam. But even those might only happen over some time. What’s important now is that we get past this, and that we do everything we can to help ourselves and others around us. I’m learning to prioritize that over everything else.