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“At this stage of my life I want to give time to my daughter,” Tamil-Malayalam-Hindi actress Revathi
Revathy has regaled us with her sterling performances in multiple languages for 40 years. She is now being seen in the intriguing psycho-horror Malayalam feature film Bhoothakalam streaming on SonyLIV.
She is happy with another accomplished performance. “Though categorized as horror there’s a lot more going on in there. There are so many layers. The emotional turmoil and the turmoil in the world outside my character are not easy to come by for actresses in our cinema.”
She admits it is becoming increasingly difficult to get roles that still inspire her. “Oh yes, very difficult.When the director of Bhoothakalam (Rahul Sadasivan)came to me with this character more than a year ago—he came to me even before the production was put together and I was practically his first choice—I was completely taken up. It was only after he spoke to me that he got the production in place.”
We veer towards discussing the renaissance happening in Malayalam cinema and how much the OTT explosion helped that renaissance. “In-between somewhere Malayalam cinema lost its way when it became hero-oriented and male-centric.I think Malayalam cinema has returned to its roots created by Adoor Gopalkrishnan and G Aravindan.But I don’t think the format matters. It is the content. It can be anywhere. What really happened to restore Malayalam cinema to its roots is the new generation of directors who began making simple sincere films. That really helped. S. Bharathan made one of his classics in just 18 days. After that it became a norm to make films in a limited time and budget which were not star-based.”
So is Revathi comfortable doing Malayalam and Telugu film only? “I did one Malayalam film Molly Aunty Rocks in 2012 .Then I did Virus in 2019 Now Bhoothakalam. So it’s three Malayalam films in ten years which isn’t that much.In Tamil I’ve done only one film Power Pandi in ten years, and two comedy films with Prabhu Deva and Jyotika.”
She enjoys doing comedy as it gives her a chance to escape her serious image. “ I enjoyed doing comedy in Jackpot and Gulaebaghavali thoroughly. But these two were totally slapstick. In future if I do comedy I’d like it to be slightly more relevant, like Meryl Streep’s Mama Mia .Way back in 1992 I had done a comedy with Priyadarshan called Muskurahat which I really enjoyed.”
Speaking about her role in the recent Netflix anthology Navarasa Revathi says, “Oh, that was a fabulous experience . It was just three days’ work. But the homework had to be watertight. I had so many discussion with my director Bejoy Nambiar.”
Going back ,we still remember Revathi as Maggie in Salman Khan’s film Love.While Salman is still romancing heroines who are of the age that Revathi was when she did Love with him, she has moved on to mother’s roles.
Revathi is okay with that. “Each actor handles the career in different ways. Whether we like it or not male actors don’t age on screen.Women do age. There’s just a handful of roles for a few actresses.When I meet other actresses my age they say the same thing. No roles! Meryl Streep does one film in four years. She too complains about the lack of content for women. By the way, she too is tired of her serious image and wants to do fun roles.”
Revathi is content with the volume of work she is doing. “At this stage of my life I want to give time to my family , my daughter who is 9.When I am shooting my parents look after her. I am quite happy with the volume of work, though I’d have like to get better-written roles. But I am happy with the work I am doing.”
What happened to the remake of Mahesh Bhatt’s Arththat Revathi was supposed to direct? “That project did not fall into place with the right actors. I’ve postponed it for now. We are actually doing a take on the subject , an idea that remained unexplored in the original.I didn’t want to do a faithful remake.I wanted to take the characters into a different direction.By the way I played Shabana’s role in Balu Mahendra’s Marapudiyam , the Tamil version of Arth.”
Coming up next is the biopic on Sandeep Unnikrishnan where Revathi plays the martyr’s mother. “It’s very tough to play a real-life character. . Here the amazing thing was, the director did not want me to meet the real character. But director Sashi Kiran Tikka knew exactly what he wanted me to do. Major is my next release.I am also doing a 8-episode series with Netflix called Tooth Pari.And before you ask I don’t play the title role.”
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Aamir Khan’s Sister Plays Shah Rukh’s Mother In Pathaan

Ever since Pathaan released on Wednesday, audiences have been curious to know who is the woman who plays Shah Rukh Khan’s adoptive mother in Afghanistan. The stately lady with royal looks is none other than the late producer Tahir Hussain’s daughter and Aamir Khan’s elder sister Nikhat Khan.
Nikhat has been closely associated with the film industry and has helped her father in the production of his films like Dulha Bikta Hai and Tum Mere Ho.
Nikhat has acted earlier in the Akshay Kumar starrer Mission Mangal , Ajay Devgan’s Tanhaji and in Sandh Ki Aankh(as a Maharani).
For Pathaan, it was Shah Rukh Khan who suggested Nikhat Khan should play his foster-mother in Afghanistan who names him ‘Pathaan’. It proved to be an inspired piece of casting, as audience have loved Nikhat Khan’s cameo.
It is heartwarming that all three Khan superstars are associated with Pathaan in one way or the other.
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Anurag Kashyap’s New Film Is About Love Jihad

Love Jihad, whatever that means, is the theme of Anurag Kashyap’s new film Almost Pyaar With D J Mohabbat.
Debutant Karan Mehta plays a Muslim boy in an intense relationship with Alaya F who plays a Hindu girl.Kashyap has spared the audience none of the ugliness that such a relationship generates among social-media bouncers, the self-styled guardian of morality .
In the hardhitting powerful and pertinent film a bigot is heard commenting snidely, “These people first talk about Mohabbat. Then they talk about Mohammed.”
Happily and surprisingly, the Central Board Of Film Certification gave the film a ‘UA’ certificate with no cuts: a rare non-‘A’ film of Kashyap.
So far Kashyap and his team have kept the Love Jihad part of the plot out of all media interaction.
But the cat is now out of the bag.
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Samantha Ruth Prabhu to Star Alongside Varun Dhawan in Prime Video’s Indian Original Series , Samantha Speaks

Samantha Ruth Prabhu will be starring alongside Varun Dhawan in the Indian installment of the Citadel universe, the global-event series from Prime Video and the Russo Brothers’ AGBO. The untitled Citadel series based out of India is being helmed by renowned creator duo Raj & DK (Raj Nidimoru and Krishna DK), who are the showrunners and directors.
The local installment is written by Sita R. Menon, along with Raj & DK. The streaming service also confirmed that the production is currently underway in Mumbai. After this, the unit will head to North India and then onwards to international locales like Serbia and South Africa.
Richard Madden (Bodyguard) and Priyanka Chopra Jonas will star in the first-to-launch series within the Citadel universe, which comes from the Russo Brothers’ AGBO along with David Weil (Hunters) and is set to premiere in 2023. Alongside Madden and Chopra Jonas, the first-to-launch Citadel series will also feature Stanley Tucci (The Hunger Games saga). Additional local-language Citadel productions are also in the works, including an Italian Original series starring Matilda De Angelis (The Undoing).
Speaking on her participation in The Citadel franchise for the first time,Samantha says, “When Prime Video and Raj & DK approached me with this project, I decided to take it up in a heartbeat! After working with this team on The Family Man, it is homecoming for me.The Citadel universe, the interconnected storylines between the productions across the globe, and most importantly, the script of the Indian installment really excited me.”
Samantha says she is looking forward to working with Varun Dhawan . “I am thrilled to be a part of this brilliant universe conceptualised by the Russo Brothers. I am also looking forward to be working with Varun for the first time, on this project. He is someone who is full of life and cheer when you’re around him.”
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Bollywood’s Achche Din Have Come

All you doomsday prophets, the booms-day profits are here. Pathaan has opened the floodgates again for Bollywood’s bumper bonanza at the boxoffice.And now there is only the achche din ahead for Hindi cinema.
In the next two months there are three sureshot blockbusters coming up, beginning with Shehzada. An astute devilishly impish adaptation of Allu Arjun’s 2020 Telugu blockbuster Ala Vaikunthapurramuloo.The super-popular Kartik Aaryan gives his own spin to the character. This performance will take Kartik to the next level of stardom. Kartik’s version of Ala Vaikunthapurramuloo is radically different from its Telugu version. Shehzada takes the core idea of the Telugu original and turns it into a something completely different. Kartik’s co-star in Shehzada is Kriti Sanon with whom he earlier shared superhit space in Lukka Chuppi.
Then there is Luv Ranjan’s ravishing rom-com Tu Jhoothi Main Makkaar. The director’s male viewpoint on the chaos of love relationships crests to a comic high in his latest. Ranjan for the first time, collaborates with Ranbir Kapoor for the first time collaborates with Shraddha Kapoor who badly needs a hit.This film should do the trick. The winsome lead pair tries to do one another in a game of Luv This is Luv Ranjan’s Hum…Aapke Hain Con. Ranjan has in the past used the romcom space to entertain his audience to the hilt, he says this time the stakes are different. It is not something we’ve seen before.
Finally it is Rocky Aur Rani Ki Prem Kahani. Karan Johar’s first directorial in six years(not counting the one segment each in Ghost Stories and Lust Stories). This time he has assembled a dream star-cast of Dharmendra, Jaya Bachchan, Shabana Azmi, Ranveer Singh and the boxoffice darling(s) Alia Bhatt. But trust me, this one is not about assembling stars into a complacent plot. The writing in this zany Romeo & Juliet is so crisp and engrossing, the experience is likely to be the visual version of a multi-flavour icrecream cone. Colour, choler and karma collide in this tragic-comic love story . Let the box office dhamaka begin from the house of Dharma.
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