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Insha Is A Goodhearted but Dull Story Of Humanism

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Insha Is A Goodhearted but Dull Story Of Humanism 4

Insha(Neestream , Malayalam)

Starring Prathana Sandeep, Directed  by Siju Vijayan

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Rating: **

 Sometimes  the  best of intentions can   go to waste, specially if  you have  no  backup hardware  for your emotions. Insha  is heartfelt emotionally flush but finally too  aimless and dull to   put forward  the dreams  and yearnings of  a  13-year old  girl, well played  by  young Prathana Sandeep.

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At the cusp  of  puberty, one would expect the girl’s immobile  condition to secrete  a chaos of dreams  and  yearnings. But none  of that. No  curiosity  about  life and, ahem, sex. All  Insha wants  is to see  the sea. Just  a hop away  from the  ocean , her wheelchair-bound existence has  robbed  her of  all rights to step out of her  home. Her bully  of an uncle who (could do  with some tutoring in  child rearing) wouldn’t hear  of Insha  taking an afternoon out with her  supportive friends who then  have to plan her  secret  outing lest Uncleji gets to know.

It is baffling why Insha  would not be  allowed to go out with her  friends  specially when they are  so caring and  attentive. The  director  constructs his  case  for  Insha’s “normal”  joys on inexcusably  shaky grounds. The  child actors  playing  Insha’s  chums are so   cloying in their sweetness that the  mood  of  the proceedings begins to  get progressively  annoying.

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 By the time a tragic  turning-point is reached in the lifeless plot, it is too late to breathe fire into the  dying embers  .Tragically a  film founded on the noblest  of intentions  resembles  propaganda  for the paraplegic associations’  annual fund-raising  event. Insha’s  desire to  witness the waves(after seeing the seas) is so  mundane  it  makes no sense  to make it  the central crisis of  a  plot  woefully bereft  of real drama

The  acting is largely  of the  so-what-is-my-next-line  variety . There is  little resonance or lucidity  in  the characters  .And that that includes Insha’s  kind grandmother and forever-hysterical mother. A female  teacher keeps dropping in with sugary homilies. She has no idea how to improve the  girl’s  restricted movement so she can fly higher that fate willed.Not even a  warning to the  bullying uncle.

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At the end life seems to have worked out well  for Insha.We see her blissfully  settled with  a partner(her childhood chum), the  coveted sea-view at her toes .Barring the  girl who plays  the title role  the children though  natural  are  sadly  devoid of  charisma. The  film is turgid in tone  and  severely restricted  in its persuasions.Somewhat like the protagonist in her wheelchair.

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Jamuna Had A Love-Hate Relationship With  Bollywood

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Jamuna

Veteran  Telugu  actress  Jamuna who passed away on Friday, shared an uneasy relationship with  the Hindi film industry.She did eleven Hindi films including the iconic Milan in  1967 where Jamuna  agreed to play the  second lead, or the  supporting role if you will, to Nutan.

 Jamuna as Gauri was the Other Woman who craved for the hero Sunil Dutt’s attention whereas  he had  eyes and devotion  only for Nutan. In later  years  Aruna Irani played a similar  role in  Caravan.

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 In Milan Jamuna  was not keen to  do a supporting role. Producer L V Prasad tempted her with three chartbusting songs. Besides, Jamuna had played the same role in Mooga Manasulu, the  Telugu original  of  Milan. But it  was the songs composed by Laxmikant-Pyarelal  which convinced  Jamuna to  take up the second lead in Milan.

 While  Nutan had no solo songs  in Milan, she did have the chartbuster duet  Sawan  ka mahina . Jamuna on the  other hand,  had two  splendid Lata Mangeshkar solos: Tohey saawariya naahin khabariya  and   the magnificent Ghazal Aaj dil pe koi  zor chalta nahin.Not only  these, Jamuna  also had a  hit duet  with Mukesh  based on her character  Gauri:  Bol Gauri  bol tera kaun piya.

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But  then, fate  intervened. After the film released  one of Jamuna’s solos, the poignant and memorable  Aaj dil pe koi zor chalta nahin was  snipped  out of the film.

Here is what  happened:  the  Ghazal , one of Lataji’s all-time greats, was very much a part of Milan when  it released on 17 March 1967. But then  it was seen to hamper the  flow of the  film and  edited  out. The  beautiful song occurred right after intermission. Producer  Prasad, a shrewd  filmmaker, got to know that audiences prolonged their  loo breaks as there was  a song after the break. Hence the sacrifice  of  a seriously  sonorous melody.

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Jamuna hardly did  Hindi films after Milan. Her last  Bollywood appearance  was in  Raj Kumar  Kohli’s Raj Tilak  where she  was lost in a multistarrer as  the royal  queen.

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Karan Johar Moves Alia Song From Switzerland To Kashmir

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Rocky Aur Rani  Ki Prem Kahaani

The  romantic duet in  Karan Johar’s Rocky Aur Rani  Ki Prem Kahaani  which was to be  shot in Switzerland and which was  delayed  due to the film’s leading lady Alia Bhatt’s motherhood, is now being relocated to  Kashmir.

Purely out of  the  love for  new mom Alia.

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Says a source in the know, “Karan loves Alia  like his own daughter. He would do anything for her. He postponed  the  release of Rocky Aur Rani Ki Prem Kahani as the love duet could not be shot before Alia’s maternity leave. Karan had decided to shoot the song in Switzerland  after Alia’s maternity love. But now he has relocated the song to Kashmir  as Alia doesn’t want to leave her  baby girl behind for  long stretches.”

And as Karan Johar argued, snow is  snow. How does it matter whether it is  Switzerland or Kashmir?

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This  song would be Karan Johar’s tribute to  his  idol Yash Chopra. Alia would be dressed in chiffon sarees while  Ranveer, for  a change, would be seen in  formals.

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Bobby Deol’s Switchover To Villainous Roles

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Bobby Deol

After  Prakash Jha’s webseries Ashram where Bobby  played a sleazy  godman, and Love Hostel  where  he was a ruthless assassin,   he is playing the villain to Ranbir Kapoor in  Sandeep Vanga’s  Animal.

Bobby says it is not conscious career decision to play negative characters  but a conscious  decision to play interesting characters. “ I don’t look at  characters as positive or negative.When I watch  films there is always  one character  that stays  with you. I want to play that  character.”

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Prakash Jha’s Ashram proved a gamechanger for Bobby.  He admits finding  challenging roles is tough.  “I am trying. I  am doing Sandeep Vanga’s Animal with Ranbir  Kapoor , Parineeti Chopra. Then I am doing the family film Apne  2 which I am  very excited  about.”

 In an  earlier  interview with  this writer Bobby spoke  about his   long absence  from screen  before Prakash Jha’s Ashram.  “My fans   would ask why I wasn’t being seen on the screen.And I couldn’t tell them it was  because  I wasn’t getting good roles. But my fans  stood by me. They gave me  the strength  to  keep looking for the right roles. Thankfully I found the roles I liked. My new  films have given  me  some new fans. I am  thankful  I am still here. Yeah , I am in a good space right now.”

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Pathaan Collects 55 crore nett in India On Day 1

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Pathaan

YRF’s Pathaan has apparently wiped out all previous records as it collected 55 crore nett in India and recorded the biggest ever Day 1 for a Hindi film. The total collections of Pathaan on Day One is 57 crore nett (Hindi – 55 crore and dubbed versions 2 crore).

It is the widest Hindi release of  all  time in India and also the highest grossing 1st Day for a   Hindi film.It is  also the  highest grosser  on the  first first for a  non-holiday release. Pathhan is  also the highest  opener for Shah Rukh Khan.

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Akshaye Widhani, CEO of Yash Raj Films, says, “It is a historic day for Indian cinema and we are humbled to see the love and appreciation that is flowing for Pathaan globally. For Pathaan to shatter records in this fashion on a non holiday, just proves that the theatrical business is here to stay, provided we make films that entice people to come to the cinemas to witness a never seen before experience that entertains them thoroughly.“

He adds, “We, at YRF, are thrilled with the start that the film has got across India and we are hopeful that Pathaan brings joy to cine-goers globally in the days to come! Pathaan is the fourth film of our YRF Spy Universe and we are thrilled that we have been able to elevate the cinematic experience of audiences with each film from this franchise. We humbly share this moment with all the stake-holders of the film who have given their blood, sweat and tears to give people a movie-going experience like never before.”

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