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Sonam Kapoor: The Little Girl Is A Big Girl Now 4 Sonam Kapoor: The Little Girl Is A Big Girl Now 5

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Sonam Kapoor: The Little Girl Is A Big Girl Now

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My first impression of Sonam Kapoor was that of a little girl trying to behave all grown up. She was assisting Sanjay Leela Bhansali on  Black and trying to make herself useful on the sets.

Appropriately enough she was dressed in a  black salwar-kameez.

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Everybody  on the set treated her with smiling indulgence. Typical , when you are a star-kid born with a golden spoon. People are prone feel they have to bear with you even if you are very good at what you do.

The ‘F’ world followed Sonam ever since she was launched as a leading lady in Saawariya. I refer to her reputation as a ‘fashionista’. The word is used dismissively to ridicule her other abilities as an actor, as though being fashionable(along with being beautiful) discounts Sonam from any chance of being a competent actor.

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We do that to beautiful people , specially women all the time. I once had a long conversation with Aishwarya Rai(then, not a Bachchan) on this and she said how tiring it was to be constantly called beautiful.

“As if it disqualifies me from being anything else.It is very annoying. And beyond a point, how happy can you be being beautiful if you are not allowed to be anything else?” Aishwarya reasoned.

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Katrina Kaif too has faced the same dilemma. To be (beautiful) or not be(talented), that’s the question.

It has taken Sonam 8 years to give a performance she can show her grandchildren one day to prove she was an actor who mattered in Hindi cinema. Of course Sonam disagrees. She feels she came into her own  when she did Aisha,  Raanjhanaa , Khubsoorat and Bhaag Milkha Bhaag.

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 But honestly the  ‘F’ word followed her through her career until Neerja.

So what strange alchemy  transpired  in Neerja to make cross that barrier that separates the lookers from the performers?

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I feel it is more to do with motivation than anything else. The story of Neerja Bhanot needed to told and it had to be through Sonam. Not many people know this. But when the casting was being done for Neerja other names came up for consideration, most prominently Deepika Padukone. Strangely the director felt Sonam to be closer to the real Neerja Bhanot than any other actress.

 With bio-pics the casting is always a question of how to zero in on the right choice. Would Attenborough’s Gandhi have been the same if Naseeruddin Shah and not Ben Kingsley played the lead? Would Shekhar Kapoor’s Bandit Queen have been as searing as it was if some other actress and not Seema Biswas had played the part?

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Neerja was destined to be made with Sonam in the lead. It ends all speculation on whether beautiful well dressed women can be good actors.

 Poet-author-thinker Javed Akhtar calls it the chal-jhoothi-koi-itna-khubsoorat-kaise-ho-sakta syndrome: some women are so beautiful people refuse to believe that can be skilled at anything else except good looks.

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 They can, provided we stop looking at them , and really start looking AT them.

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Jamuna Had A Love-Hate Relationship With  Bollywood

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Jamuna

Veteran  Telugu  actress  Jamuna who passed away on Friday, shared an uneasy relationship with  the Hindi film industry.She did eleven Hindi films including the iconic Milan in  1967 where Jamuna  agreed to play the  second lead, or the  supporting role if you will, to Nutan.

 Jamuna as Gauri was the Other Woman who craved for the hero Sunil Dutt’s attention whereas  he had  eyes and devotion  only for Nutan. In later  years  Aruna Irani played a similar  role in  Caravan.

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 In Milan Jamuna  was not keen to  do a supporting role. Producer L V Prasad tempted her with three chartbusting songs. Besides, Jamuna had played the same role in Mooga Manasulu, the  Telugu original  of  Milan. But it  was the songs composed by Laxmikant-Pyarelal  which convinced  Jamuna to  take up the second lead in Milan.

 While  Nutan had no solo songs  in Milan, she did have the chartbuster duet  Sawan  ka mahina . Jamuna on the  other hand,  had two  splendid Lata Mangeshkar solos: Tohey saawariya naahin khabariya  and   the magnificent Ghazal Aaj dil pe koi  zor chalta nahin.Not only  these, Jamuna  also had a  hit duet  with Mukesh  based on her character  Gauri:  Bol Gauri  bol tera kaun piya.

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But  then, fate  intervened. After the film released  one of Jamuna’s solos, the poignant and memorable  Aaj dil pe koi zor chalta nahin was  snipped  out of the film.

Here is what  happened:  the  Ghazal , one of Lataji’s all-time greats, was very much a part of Milan when  it released on 17 March 1967. But then  it was seen to hamper the  flow of the  film and  edited  out. The  beautiful song occurred right after intermission. Producer  Prasad, a shrewd  filmmaker, got to know that audiences prolonged their  loo breaks as there was  a song after the break. Hence the sacrifice  of  a seriously  sonorous melody.

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Jamuna hardly did  Hindi films after Milan. Her last  Bollywood appearance  was in  Raj Kumar  Kohli’s Raj Tilak  where she  was lost in a multistarrer as  the royal  queen.

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Karan Johar Moves Alia Song From Switzerland To Kashmir

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Rocky Aur Rani  Ki Prem Kahaani

The  romantic duet in  Karan Johar’s Rocky Aur Rani  Ki Prem Kahaani  which was to be  shot in Switzerland and which was  delayed  due to the film’s leading lady Alia Bhatt’s motherhood, is now being relocated to  Kashmir.

Purely out of  the  love for  new mom Alia.

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Says a source in the know, “Karan loves Alia  like his own daughter. He would do anything for her. He postponed  the  release of Rocky Aur Rani Ki Prem Kahani as the love duet could not be shot before Alia’s maternity leave. Karan had decided to shoot the song in Switzerland  after Alia’s maternity love. But now he has relocated the song to Kashmir  as Alia doesn’t want to leave her  baby girl behind for  long stretches.”

And as Karan Johar argued, snow is  snow. How does it matter whether it is  Switzerland or Kashmir?

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This  song would be Karan Johar’s tribute to  his  idol Yash Chopra. Alia would be dressed in chiffon sarees while  Ranveer, for  a change, would be seen in  formals.

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Bobby Deol’s Switchover To Villainous Roles

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Bobby Deol

After  Prakash Jha’s webseries Ashram where Bobby  played a sleazy  godman, and Love Hostel  where  he was a ruthless assassin,   he is playing the villain to Ranbir Kapoor in  Sandeep Vanga’s  Animal.

Bobby says it is not conscious career decision to play negative characters  but a conscious  decision to play interesting characters. “ I don’t look at  characters as positive or negative.When I watch  films there is always  one character  that stays  with you. I want to play that  character.”

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Prakash Jha’s Ashram proved a gamechanger for Bobby.  He admits finding  challenging roles is tough.  “I am trying. I  am doing Sandeep Vanga’s Animal with Ranbir  Kapoor , Parineeti Chopra. Then I am doing the family film Apne  2 which I am  very excited  about.”

 In an  earlier  interview with  this writer Bobby spoke  about his   long absence  from screen  before Prakash Jha’s Ashram.  “My fans   would ask why I wasn’t being seen on the screen.And I couldn’t tell them it was  because  I wasn’t getting good roles. But my fans  stood by me. They gave me  the strength  to  keep looking for the right roles. Thankfully I found the roles I liked. My new  films have given  me  some new fans. I am  thankful  I am still here. Yeah , I am in a good space right now.”

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Pathaan Collects 55 crore nett in India On Day 1

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Pathaan

YRF’s Pathaan has apparently wiped out all previous records as it collected 55 crore nett in India and recorded the biggest ever Day 1 for a Hindi film. The total collections of Pathaan on Day One is 57 crore nett (Hindi – 55 crore and dubbed versions 2 crore).

It is the widest Hindi release of  all  time in India and also the highest grossing 1st Day for a   Hindi film.It is  also the  highest grosser  on the  first first for a  non-holiday release. Pathhan is  also the highest  opener for Shah Rukh Khan.

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Akshaye Widhani, CEO of Yash Raj Films, says, “It is a historic day for Indian cinema and we are humbled to see the love and appreciation that is flowing for Pathaan globally. For Pathaan to shatter records in this fashion on a non holiday, just proves that the theatrical business is here to stay, provided we make films that entice people to come to the cinemas to witness a never seen before experience that entertains them thoroughly.“

He adds, “We, at YRF, are thrilled with the start that the film has got across India and we are hopeful that Pathaan brings joy to cine-goers globally in the days to come! Pathaan is the fourth film of our YRF Spy Universe and we are thrilled that we have been able to elevate the cinematic experience of audiences with each film from this franchise. We humbly share this moment with all the stake-holders of the film who have given their blood, sweat and tears to give people a movie-going experience like never before.”

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