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The Best Of Sunny Deol

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Sunny Deol started his career  in 1983 playing the guy who tames the wild Amrita Singh in Betaab. Known to deliver high-voltage low-key performances in films mainly by Rahul  Rawail, Raj Kumar Santoshi and  J PDutta, this Deol has been struggling lately to find his bearings in the rapidly-changing atmosphere inBollywood.As Sunny Deol’s new film Ghayal Once Again hits theatres we look at his best films over the years.

  1. Arjun(1985): Two years after his debut Sunny Deol gave a remarkably restrained fine-tuned performance in this tautly-written Javed Akhtar script about a student who is waylaid and exploited by an evil politician(Anupam Kher). Rahul Rawail’s direction captured Deol in his most implosive avatar,creating sparks in the dark that ignite the screen even today. Sunny’s special friend DimpleKapadia played his love interest. The film has a handsome supporting cast and a powerhouse impact.
  2. Dacait(1987): Inspired by Jis Desh Mein Ganga Behti Haiand Ganga Jumna,  Dacait is Deol’s most powerful social statement to date.  It touched on caste discrimination and social inequality and how these fostered a rebellious generation. Deol weas marvellously reined-in as the simple villager who transforms into a dreaded dacoit. The film featured two other powerhouse performances byRaakhee Gulzar as Sunny’s mother and Paresh Rawal as a corrupt cop.Gripping even today from first frame to last.Not a  boxoffice success, as it was found to be way too dark and tense.
  3. Yateem(1988): With this tale of an orphan who is almost seduced bis foster mother(SujataMehta) , began Deol’s association with J P Dutta. Like Rahul Rawail Dutta knew which  emotions to tap in the introspective actor  to make his personality erupt into a welter of angry protests. The film was underrated and rejected on release. Ishwar Bidri’s camara work gave a physical shape to Deol’s anger.
  4. Chaalbaaz(1989): A very rare comic outing for the ever-gloomy Sunny , and too in a female-centric film. Just once Sunny didn’t mind taking a backseat, as the woman at the helm was  the one and only Sridevi. Even Rajnikanth played second fiddle. Sunny and Rajni enjoyed encoring SanjeevKumar and Dharmendra’s roles from Seeta Aur Geeta.
  5. Ghayal(1990): Considered the most important hit of SunnyDeol’s career, Ghayalbegan Deol’s association with director Raj Kumar Santoshi.The film a blood-soaked vendetta tale starred Sunny as Ajay Mehra who goes on a rampage when the villain Balwant Rai(Amrish Puri) kills Ajay’s brother(RajBabbar) . Not as wonderfully scripted as Arjun or DacaitGhayal nonetheless is the biggest hit of Sunny’s career. It took on Aamir Khan’s hit Dil at the boxoffice and outdid its collections.
  6. Narsimha(1991):  The very violent and influential cinema of N Chandra came to this film after Chandra’s smaller but more impact-filled Ankushand PratighaatNarsimha cast Sunny as a drunken waylaid right-hand man to a tyrant politician in dark glasses mysteriously named Baapji(Om Puri). There were interesting conflicts running through the plot, though finally these conflicts didn’t work themselves out. Nonetheless an interesting performance by Deol.
  7. Damini(1993): The role of the sozzled lawyer who fights the rape victim’s case was inspired by Paul Newman in The Verdict. Deol who has never touched a drop of alcohol in his life  took  on extended cameo of tipsy lawyer  in this Meenakshi Sheshadri vehicle because of his faith in the director Raj Kumar Santoshi. It paid off.
  8. Ghatak(1996): My personal favourite among all of Sunny Deol’s films Ghatakfeatured him as a Varanasi –bred idealist who is confronted by monstrous corruption in the city when he has to migrate for the sake of his ailing father. The father-son sequences between Deol and Amrish Puri were masterly in their portrait of unexpressed devotion and love.director Raj Santoshi offered this role to Sunny after Kamal Haasan was unable to do it.
  9. Gadar Ek Prem Katha(2001): A mammoth pre-Partition melodrama  where Sunny Deol sets off across the border to get his wife Amisha Patel back from Pakistan , the film’s passionate patriotism made it one of the biggest boxoffice successes in the history of Bollywood. Gadarcame on the same Friday as Aamir Khan’s historic Lagaan and actually made money in the long run(pun intended).
  10. 23 March 1931: Shaheed(2002): Sunny was cast as freedom fighter Chandrashekhar Azad while his kid-brother  Bobby played Bhagat Singh.  The film got buried in the heap of Bhagat Singh bio-pics. But Sunny was in splendid form as a real-life historical figure,bringing into play all the righteous indignation of Arjun , Ghayaland Ghatak into one line of vision.
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Rakesh Roshan: “Everything I  Know  About Acting & Direction, I Learnt From K Vishwanathji”

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Rakesh Roshan

The  mighty moviemaker K Vishwanath who  was to Telugu cinema what  Satyajit Ray  was  to Bengali cinema,  passed  away on February 2,leaving behind a luminous  legacy.

Acto-director Rakesh Roshan  who had  the  rare honour of working  in four projects  with  Vishwanath recalls him with tremendous respect. “Everything I know  about acting and  direction I learnt from  him. He was  a stalwart , an institution, and so passionate about his work. I had the privilege  of being directed  by him in two films Aurat Aurat Aurat  and Shubh Kamna. He would show  his actors  exactly what he  wanted, down to the minutest gesture.His  understanding  of the medium was  extraordinary.”

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Rakesh Roshan remembers how  he  invited Vishwanath to make films for him. “I produced  two films that Vishwanathji directed. One  was Kaamchor, the other was Jaag Utha  Insaan.While the  first was  a runaway success, the second didn’t do well.”

Speaking on how Kaamchor happened Rakesh recalls, “Vishwanathji and I used to meet socially in Hyderabad.We  wanted to work together. But we had  no script.One evening when we met he  looked very depressed. When I asked him what was wrong, he  said his new release Shubodayam  (in Telugu) had  flopped. That  night I went to see Shobodayam  in  a theatre in Hyderabad. The  next morning I  told Vishwanathji, ‘We’ve  found our script’. I told him where  the  storytelling in Shubhodayam  had gone wrong.We corrected the script and that’s how Kaamchor  happened. Although the entire story revolved  around me,  it was Jaya Prada who benefited  from Kaamchor.”

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About the beautiful  Jaag Utha Insaan , Rakesh Roshan admits  bluntly, “It  flopped because  of miscasting. During those days Sridevi was known  in Hindi cinema as a glamorous heroine. We cast her as classical dancer. Mithun Chakraborty had  the image  of  Gun Master G-9 and  Disco Dancer.We cast him as  a downtrodden  underdog. I was  known  for Kaamchor and  other citybred characters,I was cast as a Brahmin pandit.With other actors Jaag Utha  Insaan would have been a superhit”

Rakesh met K Vishwanath six years  ago. “We were shooting for Krissh in Hyderabad. He came on  the set several  times. We  had so much to say to each other. After that we lost contact. He was  very very busy with many projects. K Vishwanathji lived  for his cinema.”

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As His Latest Work Faraaz Releases Today,  Hansal Mehta Speaks To Subhash  K Jha On The Exciting Times Ahead

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Faraaz

Hansal, Faraaz is  your fifteenth directorial  venture. How does it feel to have come so far  with so many  milestones behind you?

don’t count my films. Genuinely. Every film is a new beginning. Every film has its share of uncertainty and nerves. Perhaps it is also because of the choices I make. There is no scope for either complacency or me carrying a false sense of security. I’m not complaining,though. Living life on the edge keeps me going.

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I  consider  Faraaz to be  a part of your great trilogy on  the dynamics  of terrorism, after  Shahid and  Omerta…where do you see Faraaz  positioned  in your creative ambit?

Thank you , Subhash.Faraaz is a film I’m very, very proud of. It was a challenge to pull off, a tough journey but creatively a very satisfying one. As Rajkummar Rao told me after watching the film , the Trilogy is complete now. Time to explore new stories and new characters. And finish post-production for all the exciting things that we shot for over the past eighteen months.

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Out of curiosity which of your films  have given you  the most creative  satisfaction?

Almost every film Shahid onwards has been immensely satisfying , both in terms of process and the outcome. Save a couple that I need not name. But even those I own for all their flaws, failures, deficiencies and redeeming qualities. But Faraaz has been a great process. I’ve made so many new friends in this journey and found some of the most exciting colleagues that I’m proud to introduce through the film. Writers Raghav Kakkar and Kashyap Kapoor (who co-wrote the film with Ritesh Shah), Cinematographer Pratham Mehta, Sound Designer Mandar Kulkarni, Editor Amitesh Mukherjee, co-producers Sahil, Maz and Sakshi – all of whom have given their blood and sweat to make this film happen. And of course Anubhav Sinha one of my oldest friends in the industry who backed me in telling this story just the way I wanted it. So yes, Faraaz has been satisfying and also filled me with a deep sense of gratitude. I must have done something right, no?

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Of course. Faraaz has a lot of young new actors in it. Tell me  about the  process  of  casting in this film? It couldn’t have been easy since there are dozens  of faces?

That was the challenge and the joy of making this film. I worked on the story during Chhalaang and I always knew that it would be a return to my indie roots for Faraaz. The film had to be made. And it needed fresh faces, bereft of image or trappings of stardom. A huge credit to Mukesh Chhabra who has a huge role to play in my filmography since Shahid. We constantly challenge each other and never ever give up. Casting is a process I really enjoy and finding the right talent to bring characters alive is something I thrive upon. Faraaz has an amazing ensemble. Right from Aditya Rawal , Zahan Kapoor, Juhi Babbar to every small character in the film including the officers, parents and the hostages this one is a triumph of honest casting , casting without an eye on profits, simply in service of the film, of the character.

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Faraaz is  about a terror attack in Bangladesh?how  do you respond to those who want to know, why Bangladesh?

In our research of this dastardly attack we realised that here was a story that had a larger message and something very universal to share. Misguided youth taking up violence in the name of religion or a parent’s love for her child or the unexpected bravery from an unlikely hero are themes that cannot be limited by borders, nationality or language. These stories must be told. They must transcend the limitations of perceived local relevance – particularly when our polarised times need such stories to be told to a larger audience.

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In 2020, your OTT series Scam 1992  proved to  b e game changer. Do you see Scam as a turning point  in your career?

I see Scam 1992 as an enabler. We did not expect its humongous success and to say it did not change things would be fake humility. It gave me back a lot of things I had lost in the years before it released. Including some money. And the courage to tell the stories I desperately wanted to. Also exceptional friends and collaborators like Sameer Nair and his Studio Applause.

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Your films  and your  attitude to cinema has always  been fearless. How  do you  cope with the  threat of growing intolerance in our society  vis a  vis your  convictions as a  filmmaker?

It is not new to me. Remember Dil Pe Mat Le Yaar in 2000? The only difference now is that then I was deeply affected by the intolerance to a point of self destruction. Now I channelise my despair and anger into telling relevant stories and through them taking on those who have made it a business to be intolerant.

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To Attend Siddharth-Kiara’s Destination Wedding, Karan Johar Preponed His Twins’s Birthday  Bash

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Siddharth-Kiara’s

For those  who are  wondering why Karan Johar hosted  the grand birthday party for his  twins Roohi and  Yash who will  turn 6 on 7 February,  six days in  advance  on 1  February  here is  why:  on the day of his twins’ birthday,  Karan  will be in Rajasthan attending the wedding celebrations of his dear friends  Siddharth Malhotra  and Kiara Advani who are  getting married on  February 6.

 Reveals   a friend close  to  Karan,  “Karan was in a dilemma. To him there is  nothing more important than his  children’s happiness.  How could he break their hearts by skipping  the most important day of their  lives? At the same time, how could he  not attend Siddharth and Kiara’s wedding ? They are  very close to him.”

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Karan did the best thing possible to resolve the situation:  he put the dilemma before his children Yash and Juhi who happily  agreed  to  have their party  a few days in advance so their ‘Dada’  could  attend  his friends’ wedding.

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The  Big Independence Day Clash To Be Averted?

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Animal and Sunny Deol’s  long-awaited Gadar 2

Sunny Deol, John Abraham  Ranbir  Kapoor  and the Covid Vaccine are all set to clash at the boxoffice this  Independence Day .

While the  Ranbir Kapoor starrer Animal and Sunny Deol’s  long-awaited Gadar sequel  are  both scheduled  for release  on August  11, John Abraham’s  Tariq  releases three days later on August 15.On the same day  Vivek(The Kashmir Files) also  releases  The Covid Vaccine.

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It looks  like  a crowded weekend, with one too many releases for audiences to  choose from.

Apparently  intense discussions are on among the  producers of the four  big films to see how the clutter can be  resolved.

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A  source close to the  development says, “Gadar 2 is the  right fit for the Independence Day weekend. But the producers of Animal  are in no mood to move  from August 13 . John  who is  a co-producer  on Tariq  and Vivek  Agnihotri with his Covid Vaccine  are also adamant  on coming on   August 15.The  Independence Day weekend is  a long  weekend. So let’s see…”

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