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Shyam Singha Roy Is Stunningly Cogent
Shyam Singha Roy(Netflix, Telugu)
Starring Nani, Sai Pallavi, Krithi Shetty , Madonna Sebastian
Written & Directed by Rahul Sankrityan
Rating: **** ½
Apart from one fatal flaw,no make that two, Shyam Singha Roy is as flawless and passionate a love epic as I have witnessed since Sanjay Leela Bhansali’s Devdas. Please note I say, ‘witnessed’ not ‘seen’. This is the film that incites ornate poetic descriptions of simple human activities such as eating, sleeping and courtship…Eveything is done with a captivating oldworld charm that’s rare to find in cinema today.
Cinema today,reminds me of how lamely the film starts. When we first meet the film’s hero Vasudev he is a struggling filmmaker who shamelessly uses a stranger as his short-film’s leading lady, That whole epilogue with Keerthy(Krithi Shetty) falling for the struggling filmmaker is an aberration…
But wait. Don’t go away. If you do,you will miss an epic love story told in such a gloriously florid and visually rich language that you will miss the big-screen more than ever before.
I did. I have not felt so strongly about cinema-exclusion since the lockdown. Writer-director Rahul Sankrityan seems to have designed the entire film for the sake of posterity: look what you missed out on the big screen when Covid crept into your lives! Suffer, all ye locked-down souls!
This is a larger-than-life melodrama with the writing so clearly defined and packaged , it’s like watching a romance unfold in a familiar yet exciting language. As soon as Shyam Singha Roy moves into another lifetime—yes, this is a tale of reincarnation and a convincing one for a change—a kind of dramatic deliverance and a storytelling celerity kick in. You are hooked,mesmerized by the visual and emotional velocity of this unapologetic melodrama.
You wouldn’t be able to take your eyes off the sparks and flames of mutual passion between Shyam Singha Roy and the lovely Devdasi Maithrayee,played by the bewitching Sai Pallavi(more on her later) . The romance unravels in Kolkata (which means we see a painting of the Howrah Bridge in the backdrop almost every frame) in the early 1970s.
The visual imaging of the Devdasi temple is stunning, and the sexual exploitation of the young girls , devastating. They remind us of the colour of choler and rebellion in Bhansali’s cinema, which is not to say that Sankrityan copies Bhansali. There is a violence at the heart of this passionate romance that Bhansali would never dare venture into.
I wish there was more time given to the central romance between the non-showoffy social reformist Shyam Singha Roy(obviously inspired by Rajaram Mohan Roy) and Maithrayee rechistened Rosie…perhaps after Waheeda Rehman in Guide? Sai Pallavi as Maithrayee/Rosie echoes the vulnerable yet strong personality of Waheeda Rehman. Watching Sai dance I am sure even Ms Rahman would smile in approval.
Why is the film in such a hurry? Why the insecurity of losing the audiences’ interest when the brilliant writing has us by the balls right to the impassioned end? The romantic reunion at the finale is stunning in its impact.Not only because Nani and Sai Pallavi make such a fetching pair,but also because they are shot by the brilliant cinematographer Sanu John Varghese with a poetic flourish.
The performances of some of the supporting cast is admirable . But it’s the lead pair that leads the way. Whether telling his beloved about Devdasi descendents M S Subbulaxmi and Bala Saraswati or consoling her after he gets to know she can’t have children, Nani is every inch the social reformist who does what he does not to impress others but because his heart tells him to.
But it’s Sai Pallavi who steals the show. Dancing like a dream and emoting with a breeziness that again shows her to be a natural-born actor Sai’s Maithrayee evokes deep sighs in us.
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Aamir Khan’s Sister Plays Shah Rukh’s Mother In Pathaan

Ever since Pathaan released on Wednesday, audiences have been curious to know who is the woman who plays Shah Rukh Khan’s adoptive mother in Afghanistan. The stately lady with royal looks is none other than the late producer Tahir Hussain’s daughter and Aamir Khan’s elder sister Nikhat Khan.
Nikhat has been closely associated with the film industry and has helped her father in the production of his films like Dulha Bikta Hai and Tum Mere Ho.
Nikhat has acted earlier in the Akshay Kumar starrer Mission Mangal , Ajay Devgan’s Tanhaji and in Sandh Ki Aankh(as a Maharani).
For Pathaan, it was Shah Rukh Khan who suggested Nikhat Khan should play his foster-mother in Afghanistan who names him ‘Pathaan’. It proved to be an inspired piece of casting, as audience have loved Nikhat Khan’s cameo.
It is heartwarming that all three Khan superstars are associated with Pathaan in one way or the other.
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Anurag Kashyap’s New Film Is About Love Jihad

Love Jihad, whatever that means, is the theme of Anurag Kashyap’s new film Almost Pyaar With D J Mohabbat.
Debutant Karan Mehta plays a Muslim boy in an intense relationship with Alaya F who plays a Hindu girl.Kashyap has spared the audience none of the ugliness that such a relationship generates among social-media bouncers, the self-styled guardian of morality .
In the hardhitting powerful and pertinent film a bigot is heard commenting snidely, “These people first talk about Mohabbat. Then they talk about Mohammed.”
Happily and surprisingly, the Central Board Of Film Certification gave the film a ‘UA’ certificate with no cuts: a rare non-‘A’ film of Kashyap.
So far Kashyap and his team have kept the Love Jihad part of the plot out of all media interaction.
But the cat is now out of the bag.
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Samantha Ruth Prabhu to Star Alongside Varun Dhawan in Prime Video’s Indian Original Series , Samantha Speaks

Samantha Ruth Prabhu will be starring alongside Varun Dhawan in the Indian installment of the Citadel universe, the global-event series from Prime Video and the Russo Brothers’ AGBO. The untitled Citadel series based out of India is being helmed by renowned creator duo Raj & DK (Raj Nidimoru and Krishna DK), who are the showrunners and directors.
The local installment is written by Sita R. Menon, along with Raj & DK. The streaming service also confirmed that the production is currently underway in Mumbai. After this, the unit will head to North India and then onwards to international locales like Serbia and South Africa.
Richard Madden (Bodyguard) and Priyanka Chopra Jonas will star in the first-to-launch series within the Citadel universe, which comes from the Russo Brothers’ AGBO along with David Weil (Hunters) and is set to premiere in 2023. Alongside Madden and Chopra Jonas, the first-to-launch Citadel series will also feature Stanley Tucci (The Hunger Games saga). Additional local-language Citadel productions are also in the works, including an Italian Original series starring Matilda De Angelis (The Undoing).
Speaking on her participation in The Citadel franchise for the first time,Samantha says, “When Prime Video and Raj & DK approached me with this project, I decided to take it up in a heartbeat! After working with this team on The Family Man, it is homecoming for me.The Citadel universe, the interconnected storylines between the productions across the globe, and most importantly, the script of the Indian installment really excited me.”
Samantha says she is looking forward to working with Varun Dhawan . “I am thrilled to be a part of this brilliant universe conceptualised by the Russo Brothers. I am also looking forward to be working with Varun for the first time, on this project. He is someone who is full of life and cheer when you’re around him.”
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Bollywood’s Achche Din Have Come

All you doomsday prophets, the booms-day profits are here. Pathaan has opened the floodgates again for Bollywood’s bumper bonanza at the boxoffice.And now there is only the achche din ahead for Hindi cinema.
In the next two months there are three sureshot blockbusters coming up, beginning with Shehzada. An astute devilishly impish adaptation of Allu Arjun’s 2020 Telugu blockbuster Ala Vaikunthapurramuloo.The super-popular Kartik Aaryan gives his own spin to the character. This performance will take Kartik to the next level of stardom. Kartik’s version of Ala Vaikunthapurramuloo is radically different from its Telugu version. Shehzada takes the core idea of the Telugu original and turns it into a something completely different. Kartik’s co-star in Shehzada is Kriti Sanon with whom he earlier shared superhit space in Lukka Chuppi.
Then there is Luv Ranjan’s ravishing rom-com Tu Jhoothi Main Makkaar. The director’s male viewpoint on the chaos of love relationships crests to a comic high in his latest. Ranjan for the first time, collaborates with Ranbir Kapoor for the first time collaborates with Shraddha Kapoor who badly needs a hit.This film should do the trick. The winsome lead pair tries to do one another in a game of Luv This is Luv Ranjan’s Hum…Aapke Hain Con. Ranjan has in the past used the romcom space to entertain his audience to the hilt, he says this time the stakes are different. It is not something we’ve seen before.
Finally it is Rocky Aur Rani Ki Prem Kahani. Karan Johar’s first directorial in six years(not counting the one segment each in Ghost Stories and Lust Stories). This time he has assembled a dream star-cast of Dharmendra, Jaya Bachchan, Shabana Azmi, Ranveer Singh and the boxoffice darling(s) Alia Bhatt. But trust me, this one is not about assembling stars into a complacent plot. The writing in this zany Romeo & Juliet is so crisp and engrossing, the experience is likely to be the visual version of a multi-flavour icrecream cone. Colour, choler and karma collide in this tragic-comic love story . Let the box office dhamaka begin from the house of Dharma.
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